Soil & Pimp Sessions - Pimp Of The YearVictor Records
Is there no stopping these guys?! It was only last month I reviewed their 'Crush!' EP, and here they are again with a full length album, 'Pimp Of The Year'. If you've been paying attention then you know the score, this is jazz with punk attitude. The set features 'Summer Goddess' and 'Crush!', the title tracks of their last 2 EPs along with goodies such as 'Worldwide' (a dedication to Gilles perhaps?!) and 'Sahara' with it's stunning piano work. My particular favourites though are 'Scoop Out' which sounds like a 70s cop show theme, the feel good vibe of 'Last Long', a solid jazz-funk affair and track 8, a beautiful modal waltz. This track has a Japanese title and although on some web sites it's translate as 'Fragment' from the 'Summer Goddess' EP it is not the same track.
Andy Allen, 03/06
Soil & Pimp Sessions - PimpointBrownswood Recordings
Released on Victor Records in Japan earlier this year, Soil & Pimp Sessions' 'Pimpoint' now gets a UK issue via Gilles Peterson's Brownswood label. There are no real surprises here just the kind of quality furious horn driven jazz we've come to expect from this sextet. Their version of Freddie Hubbard's 'Red Clay' is certainly one of the highlights but check 'Makuroke' with its twisted cosmic keys making it sound like a 70s cop show theme and the feel-good funk of 'Funky Goldman'. Also included as a bonus track is the brilliant 'Sahara' from their 'Pimp Of The Year' set. Look out for the track on 12â€ with a remix from Zed Bias.
Andy Allen, 07/07
Soil & Pimp Sessions - Summer Goddess EPVictor Records
Soil & Pimp Sessions waste no time in following up their recent ‘Pimp Master’ set with this 6 track EP. No surprises here just more of their distinctive brand of frantic ‘death jazz’. ‘Fragment’ is the instant highlight but drop ‘Ms B.C.’, ‘Sweat’ or the title track and you won’t be disappointed.
Andy Allen, 09/05
Soil & Pimp Sessions - Planet PimpBrownswood Recordings
Tokyo’s funky jazzers zip into this one, with with their trademark infectious energy and the music they call ‘Death Jazz’. They can cut the groove down as well as, demonstrated on the delightful ‘Darkside’ or ‘Sorrow’ but my personal favourite is the suitably wild ‘Mingus Fan Club’. Excellent.
Graham Radley, 09/08
Solid Steel presents DJ Food & DK - Now, Listen AgainNinja Tune
The next Solid Steel mix cd goes back to the guys who started the series back in 2001 and by now you should know what to expect from DJ Food and DK. As with the infamous radio show, you never quite know what these guys are gonna throw in the mix and it's just about all here, with some re-works exclusive to this mix. There's the drum and bass remix of Roots Manuva, a dub mix of New Order's "Blue Monday", New Flesh's 2-step grime and a northern soul version of "Purple Haze", plus The Human League, Eric B and Rakim, Bomb The Bass, Aphex Twin through to the theme tune of "Are you Being Served". With a total of thirty two tracks over the sixty five minute mix, you're in for a rollercoaster ride.
Simon Harrison, 03/07
Solidaze - Pleasure From PrecisionBalanced Records
From Winnipeg, Canada, El Salvador born Luis Francisco Cardona (Solidaze) comes with a down-tempo set of hypnotic electro-soul fused with elements of house and nu jazz. Although mainly instrumental it's the tracks featuring vocalist Sarah Michaelson that appeal the most, 'Anti Animosity' and 'In The Meantime'. Of the instrumentals try 'I Too Call Myself I', 'Late Night Movement' and 'Curve Seven' for some deep darkness.
Andy Allen, 08/06
Soname - PlateauWorld Village
A album of beautiful Tibetan mountain songs composed by Soname and which reflect the country and culture she had to escape some years ago. This amazing story is told in her book ‘Child of Tibet’, a journey that took her from Tibet to London via India. There’s a strong array of Indian musicians on the CD providing a lovely foil fopr Soname’s captivating voice.
Graham Radley, 05/09
Sonar Kollektiv Orchester - Guaranteed NicenessSonar Kollektiv
Sonar Kollektiv really know how to celebrate because here's another way to celebrate 10 years in business: yes, it continues into 2008. They got 15 label artists and friends, led by Volker Meitz, to create the Sonar Kollektiv Orchester. This was another good excuse to go through the back catalogue and produce some cracking new versions of the anthems we all know and love, so giving them a new breath of life. Tracks that got me hooked on the first few plays were the covers of Meitz's "Africa", Thief's "Atlantic" and of course the five Jazzanova tracks. Volker has done himself proud, but, with such good material, he was never going to fail. Whilst you're waiting for the official release, do check out this wonderful video of their live session at the Tabe Club Festival: http://www.dailymotion.com/video/x3jtw8_tabe-club-festival-sk-orchester-200_music
Simon Harrison, 04/08
Sons Of Kemet - BurnNaim Jazz
"Burn", the aptly titled debut from the quartet known as Sons Of Kemit doesn't just burn, it scorches. The ten track debut is a fusion of African, folk and spiritual Jazz rhythms that is engaging, intense and defies categories. Clarinetist/Saxophonist Shabaka Hutchings apprenticeship with Courtney Pine and Tomorrow's Warriors has served him well here. His explosive playing and ambitious compositions is complimented by the dual drumming of Tom Skinner and Seb Rochford. On "Inner Babylon" Hutchings and Tuba player Oren Marshall rhythmic explorations and lyrical content extend into Afro-Caribbean ancestry. "Adonia's Lullaby" evokes deep passion and emotions highlighted by Hutching's melodic clarinet rhythms. Each member is a leader in their own right yet they come together focused on their take on the movement of the African Diaspora and the result is one of the best records of the year.
Reg Dancy, 11/13
Sonya Kitchell - Words Came Back To MeVelour Music Group
Recorded when she was 16 (18 now) Sonya draws here influences from much older music forms especially acoustic blues, folk and jazz. These twelve self penned tracks make this a notable debut which has drawn a lot of comparisons to Norah Jones although I'm not sure that's altogether valid as her style is probably more widely influenced than that, so think classic songwriters from Joni Mitchell to Van Morrison. You're going to be hearing a lot more about and from Sonya Kitchell.
Graham Radley, 07/07