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Mos Def: The Ecstatic [Downtown]

There are few rappers in the game that can release just two albums over a ten year span and remain prominent, let alone relevant. Mos Def is one of those few rappers who keeps us yearning for more because of his undeniable talent and the body of work he has attained thus far. With two critically acclaimed albums under his belt (one as a member of Black Star alongside Talib Qweli), the level of expectations can be enormous. To his credit Mos hasn’t taken the easy route and simply make “Black on both Sides part 2”. The challenge of expanding the musical boundaries while maintaining creditability can be daunting (the new danger comes to mind). With “The Ecstatic” it appears that Mos has finally found the happy medium. “The Ecstatic” features all star production from Madlib, Chad Hugo and the late J-Dilla and succeeds in creating head nod music as well as providing thought provoking lyrics. The album starts out with “Supermagic”, armed with hard hitting beats, crackling electric guitar riffs and a Middle Eastern flavor. It’s not your typical boom bap record but it definitely works. Other highlights include “Quiet Dog”, the beats and percussion played on here are infectious. If you don’t move to this then check your pulse. “Roses” featuring Georgia Anne Muldrow is easily one of the best tracks on the album. Mos is in top form spitting verses while Ms Muldrow’s lyrics and blissful voice caresses the chorus over a piano laden beat. “History” finds Mos teamed up once again with Talib Qweli. Playing off each other over a J-Dilla beat, the two prove why they make up one of the best one two punches in hip-hop. This is the album that fans of Mos Def have been waiting for. The “Ecstatic” proves that Mos hasn’t lost his touch and in fact sounds better than ever.

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