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Ammoncontact: New Birth [Ninja Tune]

Carlos Niño is proving a very busy man at the moment This is his second Ammoncontact album in only six months and he’s also behind such quality projects like Build An Ark and Dwight Trible. Yes that’s a serious amount of music to release in a short space of time but this just proves how talented Niño is. Here we have 10 instrumental tracks spread over two slabs of vinyl; some labels could do with learning from this. You can hear some of Niño’s influences from jazz to funk and soul all within the heavy grooved based production, with basslines that shake your boots. As a bonus there is the excellent Build An Ark "Temple Jam" that featured on the Dublab Presents In The Loop 2 12" from earlier in the year. It’s worth it for that track alone.

Dubble D: Reachin’ Out [2020 Vision Recordings]

I was being given a lift around Leeds with the manager of 2020 vision at the end of 2004 and in his car stereo was a track from ‘Reachin Out’. The track in question was ‘Switch’ which features vocals from legend Flora Purim. I could not quite believe my ears and I can see why that was chosen for the first single. Danny Ward has invited some excellent guests, which include Diane Charlemagne, Qball and Curt Cazal [QNC], Kate Rogers and Nightmares On Wax. 2020 vision are known for their quality house productions but here Danny really pushes the boundaries on just about every style known to man. There’s the bluey ‘Rain’, the house anthem ‘Switch’ and hiphop monster ‘Would You’. What else do I need to say?

Comfort Fit: Forget and Remember [Tokyo Dawn Records]

There is such a lot of fantastic hiphop around at the moment, it’s great to hear an album full of mostly instrumental beats. Written and produced by Boris Mezga from Stuttgart, he is one name you will need to keep an eye out for in the future. Within the first few tracks you can see Boris is being influenced by the right kind of producers; from Madlib to Sa-Ra, but creating his own sound. With twenty tracks totalling over 70 minutes, this is a joy to listen to. Even better you can download the full album for free on Tokyo Dawns website

Roisin Murphy: Ruby Blue [Echo]

Over the last five months, three beautifully packaged 12’s have been released, produced by the genius Matthew Herbert and featuring stunning vocals from Moloko’s leading lady. All nine tracks from the three 12’s now come complete as a cd package. Of course we have Herbert’s quirky productions skills, which are perfectly suited to Roisin’s vocals, who sounds not a million miles away in style to Herbert’s long time collaborator and wife Dani Siciliano. You have the sought after ‘Night Of The Dancing Flame’, smoker ‘Sinking Feeling’ and my personal faves ‘Ramalama (Bang Bang)’ and ‘Sow Into You’. Keep an eye out for the forthcoming single because it’s supposed to be remixed by someone special.

The New Mastersounds: This is What We Do [One Note]

NMS return with more funk-fuelled instrumentals on this their fourth album. Most people seem to remember these guys for their funk version of NuYorican Soul’s ‘Nervous Track’ and here they have covered Jimi Hendrix’s ‘Ain’t No Telling’ and Donny Hathaway’s ‘Zambezi’ to great effect. NMS is led by the exceptionally talented guitarist Eddie Roberts and all eleven tracks are as tight as you’d expect with raw and stripped down productions. Keep an eye out for their excellent funk remix of Soldiers of Twilight’s house anthem ‘Believe’

Marco Di Marco Trio: At The Living Room [Arision Records]

Following on from 2004’s ‘My London Friends’, Arision have kindly given us a chance to own a copy of this now legendary jazz album, where the original sells for big bucks. Recorded at the Living Room in Paris in 1973, this has to be up there with the best piano jazz albums ever recorded. Here Marco plays both the fender Rhodes and piano, to amazing effect with Jacky Sampson on bass and Charles Saudrais on drums, to achieve those funky basslines. Watch out for more reissues from the Arision stable.

Silhouette Brown: Silhouette Brown [Ether Records]

This is the first full vocal album produced by Dego, who has also brought in second in command Kaidi Tatham in on the act. This is the kind of album that will become a true classic in years to come and that is not just because of the two names already mentioned. This is also due to the incredible soulful vocals of Deborah Jordon, which fit the productions perfectly, and if that isn’t enough Bembe Segue is on backing vocals. Perfect for home listening and also for any club set. That should be enough reasons for you to spend your hard earned cash. 

Roger Robinson: Illclectica [Altered Vibes]

Roger Robinson is now into his tenth year of programming poetry, performing, writing and teaching, and currently divides his time between London, New York and Trinidad. He has been hailed the UK’s answer to Saul Williams and just listening to the stunning 7" single ‘Nicola’s Song’ you can see why there is quite a buzz around the release of his debut ‘Illclectica’. Produced by Roger and Rob Mac from Scratch/Speeka, they have arranged twelve brilliant tracks of various styles and moods, with exceptional poetic lyrics from Roger. Whatever you do, do not miss out on this wonderful album, you won’t regret it.

Four Tet: Everything Ecstatic [Domino Records]

It seems like Kieran Hebden aka Four Tet has been getting some serious attention over the pond recently. He’s just finished remixes for Madib and Jaydee’s Madvillian and his next single ‘Sun Drums and Soil’ is remixed by Sa-Ra, so what a perfect time to release his fourth instalment. You must be aware from the start that this is intense and downright mad but don’t let that put you off because it’s very cleverly produced, with all manner of influences mixed in the pot. Look out for the limited double vinyl because hidden in there is the full album on cd, perfect for home listening.

Flowriders: Starcraft [4Lux Recordings]

What struck me when I first listened to this album was I couldn’t quite believe this was their debut; it felt like they’ve been at this game for years. There are the big singles ‘Different Spaces’ and ‘Pheromone’ with not one of the other tracks can be called a filler, well maybe except the ‘Interlude’. It’s just tip top quality. Give this a listen when you’re next on a record hunt, you’ll be walking out of the shop with a copy.

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