There are a number of credible beatmakers out there but when it comes to merging hypnotic beats and soulful rhythms few do it as well as Slakah The Beatchild. The Toronto native returns with Volume 2 of "Soul Movements" and like "Vol.1" features an array of talented vocalists also from Toronto to lift these tracks to greater heights. Among the guests is Glenn Lewis who croons over the piano driven "Number 1". On "Keep Up" songstress Ayah and Slakah venture into Deep House territory while maintaining their signature soulful sound. "Love Fool" is filled with wicked guitar rhythms and highlighted by the stirring vocals of Tamika Charles. Slakah knows the value of a tasty groove to keep the disc bumping throughout no matter what the tempo might be. There’s no sophomore jinx here, just another superb record..

Reg Dancy

www.facebook.com/reg.dancy

Guida de Palma & Jazzinho aren’t strangers to Latin Jazz rhythms as their catalog would strongly suggest  . Their latest release, "Veludo" is a testament to that with nine sublime compositions that range from Guida’s Portuguese roots to soul jazz rhythms with warm and dreamy melodies. That combination is evident on the opening track "A Seed In You", a simmering tune highlighted by the incomparable Leon Ware, who knows a thing or two about romantic lyrics. "Papao", Portuguese for Bogeyman is funky organ flavored Samba goodness. "Whispers In The Darkness" is a sensual ballad with strings. Written and produced by De Palma this is a enjoyable record that combines Guida’s lush vocal harmonies and Jazzinho’s strong instrumentation. A perfect record to soothe your mind and warm your soul.

Reg Dancy

www.facebook.com/reg.dancy

I was first introduced to deep soul vocalist Jesse James in the early 90s when I bought a copy of the brilliant I’ve Been There Before (Gunsmoke) on 45 from Birmingham’s respected soul collector and radio DJ, Mickey Nold. Jesse James actually goes back way further though and has been recording since the late 60s. On Let Me Show You, the quality UK label, Soul Junction draws together a selection of ten rare and previously unreleased tracks recorded in the 70s. I Feel Your Love Changing is an anthemic modern soul swayer as is I Gave You Love With An A Plus. Also check out his version of the brilliant Just As Long As We’re In Love written by the legendary Terry Callier and Larry Wade and previously recorded by TC himself and The (mighty) Dells. Jesse gets funky on One And Only Love and I’m In Love With Loving You, neither of which would have sounded out of place on any of Willie Hutch’s 70s albums. I Got The Feeling and Let Me Show You are classy steppers but touch down anywhere on this set and you won’t be disappointed.

Andy Allen

Valerie June’s music is a blend of country and blues with a touch of traditional spirituals thrown in for good measure. This may not be the usual sound to feature in these pages or indeed my record collection but there’s something very special about Pushin’ Against A Stone, in particular Workin’ Woman Blues, a blistering up-tempo, jazzy country-funk outing complete with a blaring horn section. Pure magic! Also check out the laid back bluesy soul groove, Wanna Be On Your Mind and the old school soul stepper The Hour. If you are a fan of Michael Kiwanuka then this is likely to appeal.

Andy Allen

Led by bassist, composer and producer Michael League, Snarky Puppy is a soul/funk collective, who although new to me actually formed in 2004. They’ve had numerous releases, all of which have been instrumental but on Family Dinner they have enlisted the assistance of top notch vocalists to create some outstanding music. The set was recorded and filmed live at Jefferson Center, Roanoke, VA in front of a select audience and this package not only includes the album but also a DVD of the performance. Free Your Dreams kicks off proceedings, a tasty organic soul groove featuring Chantae Cann before touching on other solid moments such as the moody Deep, fronted by N’Dambi and the playful Latin jazz dancer Amour T’es La? with Magda Giannikou. Lalah Hathaway revisits Brenda Russell’s Something, a song which she initially covered on her debut album back in 1990, and boy does she rip it up on this new version, performing vocal acrobatics that are quite simply mind blowing. This is soul with a capital S and deserves to be massive.

Andy Allen

Sandra St. Victor first came to my attention back in 1990 as the vocalist for The Family Stand who recorded the huge club soul track Ghetto Heaven. Although her debut solo album Mack Diva Saves The World was released in 1996, her recording output has unfortunately been slim with Oya’s Daughter marking only her third offering in thirteen years. It’s been well worth the wait though. Produced by Mark de Clive-Lowe this is an edgy future soul outing with Ms St. Victor’s raw vocals sounding as strong as ever. The bounce of What Have We Learned Pt.1 is certainly one of the highlights as is Another Kind Of Diva (Success Hooker) and Grateful with its’ heavy synth stabs. Even better though are Spirit Talk and I Prefer (Oya) but unfortunately both are under three minutes long which just isn’t long enough for grooves this good! A 12” with extended versions of these two tracks would be nice, please!

Andy Allen

First Word was started back in 2003 by DJ Gilla (Aly Gillani) & Andy H in my home city of Leeds and has since developed into a widely respected and diverse label. Their latest release, Counting The Ways by Teotima, a fourteen piece ensemble put together and headed by guitarist and composer Greg Sanders is a real treasure. Horns and swirling strings wrap around soul, jazz, Latin and African rhythms to create an intoxicating mix. Vocalist Ellie Rose Rusbridge adds her haunting folky styling to the wonderful title track and Orange Lamps, both of which are my personal favourites but not to be overlooked are Nearly Everything which has Afro-beat undercurrents and the funky Gloves Off. This album is up there with the likes of The Cinematic Orchestra and The Heritage Orchestra!

Andy Allen

Whilst I am a big fan of the Schema label, in more recent times I feel they haven’t been quite as consistent. With See The Light however, the debut from Helsinki based jazz sextet, the label is again right on point. Led by pianist Kari Setala, who produced and wrote the majority of the material here, Mighty Mighty really kick from the offset with top class dancers such as Backyard Boogie, Dark Sun, Karma, Time’s Up, a version of Stevie Wonder’s Too High plus the title track. Simba sees the band move into Headhunters territory, producing a great slab of spacey jazz-funk but they are equally adept on the down tempo cuts as evidenced on Once Again and the fusion excursion Seventh Sign. A very strong album!

Andy Allen

UK jazz vocalist Zara McFarlane made waves with her 2011 debut Until Tomorrow and her new album, If You Knew Her is even stronger. Angie La La is the first track to grab my attention, a firing dancer which sees Zara using an impressive vocal technique which comes off like a warbling bird. It also features trumpeter/vocalist Lebron Thomas whose rich baritone vocal delivery interplays with Zara’s voice beautifully. There’s a delightful take on Junior Murvin’s reggae classic Police & Thieves, plus the stunning waltz The Games We Played on which Zara is accompanied by piano only. It’s so simple but so powerful it stopped me in my tracks. In a similar vein and with the same impact is Love, the album’s closing track, but touch down anywhere on this set and you’re in for a real treat.

Andy Allen

In 1970 the late, great pianist Michael Garrick released The Heart Is A Lotus on Argo, featuring vocalist Norma Winstone. Previously unreleased, Prelude to Heart Is A Lotus was recorded two years earlier for a BBC radio broadcast and includes three titles from that 1970 release but without Norma. The set does however feature other British jazz royalty, Don Rendell and Ian Carr on saxophone/flute and trumpet respectively. It opens with the title track, a modal masterpiece with Garrick playing harpsichord, which adds an unusual but compelling flavour. The spiritual Temple Dancer takes on an Eastern mood and Song By The Sea is a beautiful gentle piece laced with flute and delicate piano work. Although these are the standout moments for me, this album will serve as a welcome addition for any collector of British jazz.

Andy Allen