It’s safe to say that no one has released more albums in the last year than Georgia Anne Muldrow. While most of those releases have been uneven at best, her latest, “Kings Ballad” is without a doubt the best of the bunch. With “Kings Ballad”, Georgia has created an album that is as close to a mainstream project as anything she has ever done. That’s not to say she has watered down her sound, far from it. She’s simply modeled fourteen funky tunes in her image and reveals yet another layer of her immense talents. The first single “Doobie Down”, highlighted with a funky groove and a wicked electric guitar riff, “R.I.P.” is a moving tribute to Michael Jackson that captures the love we all had for him long before he became the King of pop. The eighties inspired “Summer Love” is a synth laden G-funk flavored joint that pairs her with her mate, Dudley Perkins. The two play the roles of young lovers feeling each other out in hope of a promising relationship.  “Live” is a sweet lullaby about following your heart and pursuing your dreams. Overall this is a solid record and certainly her most satisfying since “Olesi; Fragments of Earth”. While we wait for that one signature record that encapsulates all of her talents, you’ll no doubt enjoy this one in the meantime.

Reg Dancy

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When you think of Osunlade, you think of spiritual house music of the highest order. You will find nothing of the sort on his latest release “Rebirth”, instead you’re treated to an assortment of down tempo nusoul compositions written and produced by the man himself. Each song packs plenty of lyrical depth and has a personal feel overall. “Paint Me A Picture” is a warm atmospheric gem driven by a gorgeous piano melody that will take your mind to a peaceful place. “The Dating Game”, the first single released has an easy going uptempo groove that captures that signature Osunlade sound. “Complacent” is a pretty acoustic tune with strings about a person pursuing their passions once and for all instead of years of pursuing the dreams of others. Overall “Rebirth” is a nice laidback record to relax to on lazy afternoons. It also demonstrates an artist with immeasurable talent who continues to grow and expand his music in all directions.

Reg Dancy

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Lewis McCallum’s background is rooted in jazz but it’s his love of beats that make his records stand out. His latest release, “Syntheology” is no exception. Lewis’s synth flavored compositions on this disc are more progressive than on his debut “Wake”. As a result the groove is a little edgier but the vocals are still satisfying and the instrumentals are very funky. Speaking of vocalists, let’s start with Deva Mahal, who blesses the modern funky “Take A Step Back”. “Tales of Mingus” is a wicked instrumental that displays Lewis’s wizardry at beat programming. The track “New Someone feat Tama Walpara” is a high energy soulful house track that would feel right at home in a club. “Deviate” feat. Cherie Mathieson is a clearly one of the strongest tracks here. This is a great example of funky instrumentation and smoothing vocals merging together. There are many records rely solely on digital programming yet “Syntheology” still maintains a soulful quality, largely because the vocalists on board. Lewis is already well known in his native New Zealand but he is certain to build a bigger audience with this impressive effort.

Reg Dancy

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After fifteen years of performing on numerous projects for other artists such as Radio Citizen, Bonobo and Beanfield, Bajka finally releases her long awaited debut, “In Wonderland”. The Indian born and South African raised singer delivers an exceptional album inspired by “The Hunting of the Snark” a book of poems written by Lewis Carroll, author of Alice in Wonderland. In fact, each song is devoted to a chapter from the book and Bajka brings each song to life with grace and subtlety. Among the highlights is “The Bellman’s Speech”, a dreamy string laden beauty where Bajka weaves her unique blend of singing andspoken word artistry to perfection. “The Barristers Dream” is another treat that is filled with warm melodies and joyful rhythms. “The Baker’s Tale” features superb performances by Daniel Regenberg on piano and Rhodes as well as Jerker Kluge on double bass. They along with drummer Phillip Bernhardt provide a jazz flavored canvas throughout the disc that allows Bajka plenty of space to improvise. Not only is this record is a sheer delight that gets better with each listen, it should give this wonderful artist the recognition she rightfully deserves.

Reg Dancy

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 Perfect Toy records are demonstrating that they have an ear for quality straight ahead jazz. With the debut of The Cosmic Groove Orchestra’s “Time Has Come”, they display their spiritual side as well. “Time Has Come” is a melodic collection of spiritual sublime jazz that would make Alice Coltrane proud. Alice receives mention here not only for the wonderful work on harp by Kathrin Pechlof but for the meditative serene soundscapes the band creates on each track. Pechlof’s playing blends in perfectly with Jerker Kluge’s work on electric bass on “Walzer For LLse Proskauer”. I’m not sure who’s playing the violin on this track but they sound great nonetheless. “Shelter” is another gem due to the superb work by Kluge once again on electric bass. Matthias Gmelin is tremendous throughout on drums but on “You Know, You Know” his playing really stands out. Overall this is a solid record that you can certainly embrace from start to finish. The Cosmic Groove Orchestra has skillfully created a record that will relax your mind and soothe your soul.

Reg Dancy

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Georg Levin’s second solo project follows up his critically acclaimed debut “Can’t Hold Back”. “Everything Must Change” provides more of that soulful flavor, this time with some pop rhythms mixed in for good measure. The selections here contain the right balance of electronic beats and live instrumentation that allows you to enjoy repeated listens. The disc starts off with “Need To Understand”, a pleasing mid-tempo tune that starts out as a boogie tune and then shifts into a laidback groove. The title track is a funky synth laden number with strings that harkens back to the danceable beats of the eighties. Georg is joined by Clara Hill on the upbeat disco flavored “The Better Life”. “Time to Reenact” gives an indication of a Georg Levin live set. The song is carried through with a funky rhythm guitar and live drums and proves that Georg can work seamlessly either in the studio or on the stage. While Georg’s voice isn’t overpowering, they’re tailor made for his compositions. Overall, “Everything Must Change” sparkles with good vibes and slick production. Not a bad song on the album, you can easily add this to the track list of your next party or groove to it during an afternoon drive. You’ll be glad you did.

Reg Dancy

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Anyone who has ever listened to pianist Neil Cowley can easily recognize that he is a special talent. He was a child prodigy who has become a force to be reckoned with. Like his previous two releases “Displaced” and “Loud Louder Stop”, this record provides more of his signature classical pop flavored compositions which are enhanced by the intensity he puts into each song. Neil’s orchestral arrangements are lively and engaging. The fun begins with “Monoface”, a track that starts out with a haunting intro and then progresses into a dynamic performance by the ensemble that is full of power and precision. Drummer Evan Jenkins cymbal playing effortlessly complements Neil’s thunderous chordal displays and solo offerings. “Gerald” is a fast paced number that displays the trio’s versatility and range. This is a playful pop tune that displays Neil’s enormous chops. The finale “Portal” is a wonderful fourteen minute cinematic gem that showcases Neil’s talented compositional skills. The song starts out with simmering melody before it bursts with great intensity, only to wind down into a lovely ballad. This isn’t your typical jazz record and probably shouldn’t be categorized as one either. Just sit back and enjoy listening to a trio that is clearly having fun here stretching songs in areas they haven’t been before. You will have fun listening to the results.

Reg Dancy

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The meaning behind the name Collage is exactly what you might expect, a diverse collection of musical elements. In the case of Collage the group hailing from Estonia , they have assembled an infusion of pop, folk and classical music aptly called Estonian Folk, a nod to the group’s homeland roots. The amazing thing here is that this is a reissue, a recording from the late 60’s that would easily fit in with any current recording of today. Estonia is located on the outskirts of the Soviet Union and is also the location of the Talinn Conservatory School of music, where a group of students was recruited by Ravio Dikson. The results are a peaceful blend of world music. Some of the standout tracks are “Petis Peiu”, a Brazilian flavored tune. “Vastalaul” begins with collective harmonies that would make the Manhattan Transfer proud and then glides into a folk flavored samba. “Ehted Kadunud” is a mid-tempo soul groover with funky rhythm guitar licks. ”Tutar Nubab Ema” is a warm modal jazz ballad that features superb flute playing over a seductive piano melody. Never mind that the tracks here are sung in Finnish. The melodies of the music and the vocal harmonies provide a pleasant listening experience no matter language barriers may exist, not to mention an insight into the musical Estonian musical history. This is certainly worth checking out.

Reg Dancy

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After sprinkling several singles over the past year, LA’s Dam Funk releases his much anticipated debut “Toeachizown”. Dam Funk has crafted a funk album that features 80’s synth arrangements reminiscent of pioneers like Zapp, Cameo and a little touch of Prince. The difference is that he has successfully composed his own signature modern funk sound that he can call his own. “Toeachizown” takes on many different moods, from earthy mid-tempo grooves to up-tempo in your face funk. There’s many tracks to savor such as the ambient “Come on Outside” which displays his wizardry with drum programming. “Brookside Park” is a near 10 minute instrumental that would be the perfect leisurely drive jam on a lazy afternoon. “Searchin’ 4 funk’s future” gives a nod to Dam’s love house music. Just imagine Mr Fingers laying down some G-funk and this might be the result. Like past funkateers before him, Dam Funk also proves to be a very capable balladeer, as evidenced on the track “I wanna thank you for”. Overall, “Toeachizown” succeeds by revitalizing a piece of the boogie funk grooves of the past and making it sound relevant today. This is very enjoyable and refreshing debut by an artist poised to make a lot of noise in 2010.

Reg Dancy

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Kira Neris made a big splash with the 2007 release of “Behind closed doors”, sampling jazz standards and arranging them with dance and house flavored grooves. He picks up where he left off with “A frozen second”, another beautiful collection of edited nu-jazz compositions. Kira starts things off with “Judy in June”, a mid-tempo nu-jazz groover that features warm female vocals dancing over a simple yet poignant piano melody. “Shivering Waltz” is aptly named for its dreamy hush like arrangements. “Rush!” is a foot stomping dance floor gem complemented with sampled piano riffs and warm string arrangements. “Damage!” is a futuristic house track with a hypnotic groove and a funky male vocal hook that repeats the verse “take it and do whatcha wanna do”. Kira Neris’s production talents and his affection for various musical genres are evident and a boon for the listener. This is another wonderful release filled with songs that would fit nicely in a club, a lounge or in your living room. Listen and enjoy.

Reg Dancy

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