Developed from the Liverpool 08 Capital Of Culture commission and with strong input from Jah Wobble’s wife Zi Lan Liao (Guzheng) and the Pagoda Chinese Youth Orchestra plus on ‘Dragon & Phoenix’ an appearance of Wobble’s sons. They were joined by visiting Chinese dancers and vocalists (the wonderful Gu Yinji and Wang Jinqi) plus Wobble’s regular touring band. I had the pleasure of seeing them at Womad and every part of this East/West union came together brilliantly in a way which was both inspiring and magical. Highly recommended.

Graham Radley

Producer and drummer Nick Woodmansey, aka Emanative has kept us waiting for months for the release of his debut. Let’s be clear that it was more than worth the wait. “Space” is a wonderful collection of multi-rhythmic spacey jazz funk delights with an array of talented vocalists who add another layer to the album’s beauty. In addition, the collection of musicians, particularly Jessica Lauren on keys and Ben Hadwen’s playing on Bass Clarinet add an element of futuristic dimensions that will leave you breathless. This is quite evident on the opening track “Petite Planete”, an instrumental mid-tempo space odyssey filled with deep grooves. Jessica Lauren creates beautiful vibes with her lovely work on piano and clever synth arrangements. There is a vocal version of this track entitled “Stars Collide” sung by Deborah Jordan that is equally enjoyable. “We Travel The Spacebeats” is a dreamy spacey slice of soul heighten by the warm Rhodes playing by Jessica Lauren and the flute playing of Ben Hadwen.  “Wind, Sands and Stars” is another deep otherworldly soul gem that features Heidi Vogel on vocals. “When On Earth” is simply a beautiful record that was made available as a single long before the album’s release. The sublime vocals of Liz Elensky, along with backing vocals by Deborah Jordan and the lush string arrangements make this record a classic for years to come. So rare is the record that arrives with nary a weak track in sight. Well, this is one that qualifies as essential listening and is one of the true highlights of 2009. Highly recommended.

Reg Dancy

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This is the fifth full-length album from the Viennese duo of Richard Dorfmeister and Rupert Huber and it marks a return to the classic Tosca sound after 2005’s more exuberant and club-friendly “J.A.C.”. As the title suggests, “No Hassle” represents an effort to create an hour of pure relaxation and musical escapism, free of the mounting pressures and hassles of everyday life. “Boring”, “yawn”, I hear you cry, “I’ve heard it all before”. Well, in a sense, you probably have, for there is nothing particularly new or earth shattering here, and these days we have ambient, chill-out music up the wazoo. But, let’s not forget that these guys really are the pioneers of modern down tempo electronic music and that they have been honing and mastering this sound together for at least 15 years. And my word have they mastered it. So skilled are they at crafting lush, slow burning, spacious grooves that you just sit back, relax and never once reach for that ‘Skip’ button. Sometimes more of the same can be a good thing, if the “same” is something wonderful.

Tom Breslin

Okay, so this has been around for a few months now and I should have reviewed it much earlier. On the positive side, this has given me the chance to live with the album for a while and really listen to it for pleasure and not because I have to. So, I can honestly say that this latest offering from the UK’s Mark Pritchard – now based in Sydney – is really quite brilliant. Imagine Dilla composing the score to the classic ‘80s movie Tron and you’ve got a fairly good idea of the sound and style of “When Machines…”. Purely synthetic – not unlike Dorian Concept’s material – with huge, growling, Dub-influenced bass-lines and Donkey Kong-esque early video game effects, the tracks are haunting, Sci-Fi sound-scapes with the swagger and swing of Detroit Hip-Hop. This is captured most perfectly in ‘Battlestar’ featuring Dilla’s former collaborators Phat Kat and Elzhi (the ever impressive Steve Spacek contributes elsewhere on the album). If you haven’t checked this out yet then you absolutely must, particularly if you’re a fan of next generation, Beat Dimensions type Hip-Hop.

Tom Breslin

If you were one of the enlightened ones to become captivated by the outstanding Heavy ep of 2004 then “First Sessions” is exactly what you’ve been missing. That five track ep merely scratched the surface of this talented duo and left us hungry for more. “First Sessions” expands on that music and also includes a few gems from the vaults of the Kindred Spirits label. The multiple musical skills of Casey Benjamin and the beautiful vocals of Nicky Guilland are in full bloom on familiar tracks like “Do for you” and “Just can’t get”. There is also the ode to Minnie Ripperton on the melodic “Wonderlove”, the original version as well as the Jazzanova remix. They equally shine on previously unreleased tracks like “Sez who sez me”, the Sesame street jingle never sounded so good. The aptly named “Summer Song” is so refreshing, the kind of feel good song that would brighten anyone’s somber mood. “I know my way” is a funky down-tempo gem with a wicked organ groove. If that’s not enough, there’s the Yam Who? Remix of “Do for you” and the DJ Spinna remix of “Just can’t get”. It would have been a crime to keep all this good music on the shelf. Kudos to Heavy and Kindred Spirits for sharing it with everyone.

Reg Dancy

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You have to give credit to the good folks at Far out recordings for uncovering this classic recording. Thirty years ago, legendary Brazilian singer Joyce, Nana Vasconcelas and Mauricio Mae recorded the sublime masterpiece called “Visions of Dawn”. The soothing vocals of Joyce combined with the percussion artistry of Nana Vasconcelas create dreamy compositions of bossa and samba that will warm your heart. Mauricio Mae produced, provides vocals and plays guitar on all tracks as well. The disc opens with “Banana” a melancholy Brazilian folk gem that features Joyce’s luscious vocals over a simmering acoustic guitar. Other highlights include “Nacional Kid”, a warm sun-drenched samba number and “Memorias Do Porvir”. This is a short but sweet performance as the entire disc is only around 35 minutes. Recorded in Paris, “Visions of Dawn” is a wonderful collection of timeless recordings from one of Brazil’s treasured vocalists. This is essential listening.

Reg Dancy

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Carlos Nino’s latest project is an ambient peaceful journey through spiritual music that will undoubtedly ease your mind and heal your soul. Carlos has always been about spreading love and happiness and this project is no exception. Carlos friends assist on all tracks here. The disc begins with the terrific “Thursday August 9 2007”, a warm rhythmic tune that starts out with a hypnotic flute solo. Another highlight is “Friends featuring the Oasis of Pe”. This is the only track with vocals and they only appear at the beginning but the distinctive voice of Dwight Tribble is always a treat to hear. “9 Moons full” experiments with layers of percussion and afterwards you’re serenaded by the soothing sounds of the sea. Once again Carlos Nino enriches us with a brilliant record that explores different musical moods. Clearly he is carrying the torch from legends like Pharoah Sanders and Alice Coltrane by creating music to heal and inspire everyone. Treat yourself to a rewarding spiritual experience.

Reg Dancy

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This album quite simply defies categorisation. So much so that it’s going to be easier for me to start by telling you what it isn’t, than to steam straight into flailing around in vain trying to describe what it actually is.  It’s not easy listening, that’s for sure. Well, not at first anyway. Although, after a short while, you do find yourself drifting off into a kind of head-nodding, groove-induced coma. It certainly isn’t organic, in the sense that the sounds and effects used have never been within 100 miles of, say, a guitar or a trumpet, or any other kind of acoustic instrument for that matter. And, most importantly, it sure as hell isn’t to be ignored. For, the music of Viennese beat-meister Dorian Concept is unashamedly synthetic, electronic and beat-driven, and yet (because of the man’s evident talent with a keyboard and his supreme production skills) it is so very, very musical. It isn’t just a neck-snapping beat here and a random squelch there; it is all intricately woven harmonies and textured grooves, crafted with a deft touch and full of a delightfully wonky jazziness. And, the balance is just right. You could just as easily find this music reverberating from within a blacked-out Hummer as you could in a contemporary Jazz nerd’s cans. Everyone should give this polished gem a try, but, for simplicity’s sake, fans of Harmonic 313, Dabrye and Kindred Spirits’ ‘Beat Dimensions’ collection should not sleep on this.

Tom Breslin

After treating fans with quality remixes over the years, Diesler blesses us with his compilation disc “Tracks on the rocks”. Diesler has assembled an impressive selection of tracks he has either remixed or performed on. In addition, he has enlisted an array of artists with their own unique talents to round out this engaging set. Some of the highlights include “Aiff”, a funk filled smoking track by Akwaaba that features the immensely talented Laura Vane. Laura also appears on “Hey Fella”, a tune performed by The New Mastersounds that receives the Diesler remix treatment with satisfying results. Another without question is “A Million Stories” by The Cuban Brothers, a deep funk groover. “Escape” by Unity is given a rare groove makeover that will generate a lot of buzz on the dance floor. There’s a wealth of gems here that will make “Tracks on the rocks” a mainstay in my cd rotation for quite some time. I have no doubt you’ll feel the same way. Highly recommended.

Reg Dancy

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Mop Mop is the creation of musician/DJ Andrea Benini. “Kiss of Kali” is a combination of big band swing with a Latin flavor that would be right at home in any club. While “The 11th Pill”, Mop Mop’s previous record was more of an acoustic set, this release is serving sophisticated dance floor grooves that you will find irresistible. One common theme for both records is Benini’s production is flawless. The result is spicey, hip, funky jazz music that is certain to move your body. Standout tracks include “Living Beat”, an upbeat modern jazz number that lures you in with a wicked bassline followed by a stellar horn section and topped off by the vocals of Alan Farrington. “Jazzdancer” displays similar horn arrangements as well as a fine performance by Pasquale Mirra on vibes. The title track “Kiss of Kali” provides plenty of tasty samba rhythms plus the sassy voice of Robina Veda. Kiss of Kali is proof that music of the past can be recreated to sound relevant today with outstanding results. If this cd doesn’t make you move then check your pulse. This is essential listening.

Reg Dancy

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