Basic Soul

Inspired by the parties held at beach bar Xiringuito in Playa Del Postiguet, Alicante, Spain, this 5 CD package features mixes from a selection of DJs who have graced it’s decks. With offerings from Biggabush, Nick Matthews, Gav Smith, Ben Mono and resident (and the man behind Fusionova021 Records) Enrique Domenech, you know this is going to be tasty. Nick Matthews’ selection features the Yam Who? remixes of Alison Crockett’s ‘UR’ and Amp Fiddler’s ‘Dreamin’ along with the brilliant ‘Nocturne’ from David Borsu and Sidewinder’s ‘The Adventure [Version #2]’. Intuit’s ‘Crianca Das Ondas’, Mojo Project’s ‘Where Is The Butterfly [Break Reform Mix]’ and Break Reform’s own ‘Medusa [Dynamic Syncopation Mix]’ turn up on Enrique’s mix. It’s the Gav Smith disc which is my favourite though, with tracks from his own Pantone label like Jazztronik’s ‘Froro’ and ‘In The Morning’ by Jafrosax feat Vikter Duplaix. There’s also the Spiritual South mixes of Paul Murphy’s ‘Jazz Room’ and ‘Veja O Sol’ from A Bossa Electrica, plus Antonio Ocasio’s ‘Blessed’. I’ve never been to Xiringuito but if this is the sort of stuff they’re playing then I think I need to pay a visit and taste a slice of paradise for myself.

After a handful of 12" releases for the MAW and its subsidiary labels over the past couple of years, V finally delivers his debut album. Produced by Jazzy Jeff at his A Touch Of Jazz Studios, ‘The Revelation Is Now Televised’ is largely a down-tempo soul affair. As you would expect the production and vocals are strong throughout but for me the set lacks a standout song. The groovy ‘Confess’ and ‘Who Will I Be’ are the better cuts but unfortunately the album omits the killer ‘Confusion’ which appeared on the recent T.R.I.N.T. 4 track EP.

It must be more and more difficult to come up with rare and original selections for compilations, so the pressure is on for head of Perfect Toy Records: Marcus Hacker to deliver the goods. Marcus was involved with compiling the excellent Spinning Wheel and Pop Boutique compilations, so he has set his standards high. Here we have a great selection of jazz tracks that will blow any dancefloor apart covering from the 1970’s through to 2005. My favourites include: The Earthquakers “Soul Samba”, “Photograph” by Swegas, Orchester Heinz Kiessling’s “Drift” and of course the 2005 anthem “Carrousel” by Hipnosis. Marcus has done himself proud.

‘Three Voices From The N-Side’ is the 1st album to be released by jazz poet N-Side, a.k.a. Norman A. Woods. It draws together a collection of tracks from 3 un-issued sets, ‘Love Is Playing Live In My Bay Area!’, ‘Jazz Opera’ and ‘A Softer View From The N-Side’. Why these individual albums haven’t been released is beyond me, since the standard of material presented here is brilliant. I’m currently hooked on the melodic ‘Within 5%’, a stunningly beautiful piece, ‘The Tribe (That’s Who We Are)’, a real swinger and the avant-garde ‘Vanguard Five’, but touch down anywhere on this set and you won’t be disappointed. Let’s just hope there’s more material coming from N-Side very soon.

Schema records have been digging in the vaults to give us some unreleased tracks and remixes for this second in the series of Freedom Jazz Dance compilations. Here you have the wonderful Nicola Conte Remix of Gerardo Frisina’s ‘Giga’s Dance’, Paolo Fedreghini and Marco Bianchi’s unreleased ‘Stars’, S-Tone Inc’s "Some Kind Of Blues" and Quintetto Lo Greco "Yes and No". Let’s hope there’s more to be unleashed from the Schema archives.

After just 2 long players and countless remix packages, the now defunct Leftfield release a greatest hits album packed to the rafters with household favourites.

All the classics are on here, they’ve even included the Sasha early mix-tape anthem “Not Forgotten” – a definitive early progressive house number. It took them ages to release albums and they were never as prolific as Orbital or Underworld but their input into providing quality dance productions was equally as important.

You might think to yourself “Well, I’ve got both albums, so why bother with a best of? Well, this greatest hits CD version comes with a bonus DVD with seven excellent Leftfield videos plus five of the tracks are on neither Leftism or Rhythm & Stealth, so you are getting some new/old sounds.

It’s a good greatest hits album – Leftfield have now bowed out as a duo but their importance to the dance scene is still very relevant. The production of the tracks is second to none and it’s worth a look-in just for the extra tracks and DVD. Gone but ‘Not forgotten’.

Now what a daunting proposition Rob had about a year ago. Radio 1 wanted him to take over from the mighty John Peel – the greatest radio DJ who has ever lived. I think Rob’s done a stern job and now Fabric have come knocking so he can interpret his diverse taste onto one of their highly respected compilations. Those familiar with Rob Da Bank’s radio shows or DJ sets will know that his taste is very broad and in a good way, all over the shop.

This Fabric CD is pretty much in the same vein, except it’s mixed and mixed very well indeed. He selects some belters from Nathan Fake and Michael Mayer before dropping in the timeless DJ friend ‘Spastik’ by yer man Richie Hawtin. In the latter stages of the mix he flips to some great indie dance (urggggh awful phrase) in the form of the Futureheads and The Fiery Furnaces before finalising the mix with 2 of house music’s seminal masterpieces from Mr Fingers and Frankie Knuckles. This is good stuff from fabric – may they continue to treat us to quality compilations.

Breakthrough are the brain child of three up and coming Japanese producers who have set their standards high, just look at the list of vocalists for their debut: Bahamadia, Amp Fiddler, Bembe Segue, Gagle, Jneiro Jarel, Count Bass D, Maspyke and that’s just for starters. These guys are not messing about and with a whopping 21 tracks, you’re in for a real treat. Breakthrough is predominately Hiphop and Soul based with a Broken Beat tune thrown in for good measure, featuring the amazing Bembe Segue. This may cost a small fortune in Europe but it’s worth every penny. Top marks to Jazzy Sport.

These boys from Scotland are the real deal in electronica. Everything they do is highly anticipated in the world of the laptop hugging and beard stroking fraternity. They rarely give interviews or do photo shoots, preferring to communicate through their music. Respect.

This is their third full album, following on from 1999’s excellent ‘Geogaddi’. On first listen I like it a lot, on second listen I realise why. The Campfire Headphase is sublime electronica for all seasons. I would say this sounds more like their Skam stuff and ‘Music Has The Right To Children’ than the later stuff. There are dreamier guitar scapes and fewer oddities on the beat front. But it’s very in sounding with the usual Boards Of Canada work.

For those who like their beats (less) then this won’t disappoint. It’s another gem from Boards Of Canada released once again on the greatest electronic label to ever grace record shops.

This double album from Tokyo Dawn records is totally rammed to the brim with corking instrumental’s, slow jamz, sultry soul, fat hip-hop and adult house vibes.
With a whopping 35 tracks spread over 2CD’s – this really is what a quality value compilation is all about.
The first cut focuses more on the down tempo side – but don’t get me wrong, this is down-tempo not downbeat. There is the experimental beat process of the ‘Radiobugs’ side by side with the bumping tones of ‘The Tape Vs RQM’. The blissed out ‘Jumper’ by Spencer Doran is so short and sweet you could almost miss it, and the track by ‘Causes & Forces’ sounds like its been lifted from some classic Blaxploitation movie.
The second slab is a more housey affair, lots of low-slung 4/4 drums for those 4 a.m. moments or back room warm-ups. Some of the tracks sound like a cross pollination of noises from Herbert and Charles Webster’s studio’s. The more ‘well-known’ artists appear on this second slice with tracks by the excellent Henrik Schwarz and Maddslinky along with Tokyo Dawn favourites Comfort Fit.
This label really knows how to compile a very audible album, which I would definitely recommend to the discerning listener who likes their beats slightly altered and not from the mainstream.