Basic Soul

DJ/Producer Prequel has delighted us with an array of moody house tracks and eps over the years. With his full length debut “Love Is” he fuses hip-hop jazz and house to give his perspective on love. It’s a concept album about the highs and lows from family to relationships. Prequel takes his production prowess to another level with the aid of some of Melbourne’s bottomless pit of talented musicians. The dark and moody “When Love Is New” armed with a pulsating bottom that echoes Motor City house. It also features amazing string arrangements courtesy of violinist Tamil Rogeon. “Violeiro” sparkles with Brazilian rhythms aligned with punchy beats. “All I’m Missing Is You” has a dizzying piano melody that takes you on an enjoyable ride. The remarkable “Love Is” is a meditative gem that features the emotive spoken word vocals of Cazeaux O.S.L.O. The album also ebbs and flows with jazzy sophisticated interludes that fits the mood. While there may be a touch of heartache here there’s plenty of euphoria that’s punctuated by these recordings. Prequel steps out of his comfort zone just a bit and creates a deeply satisfying debut. Few producers have explored a sound and a topic as marvelous as this record.

“After Dark” is the new release from harpist Amanda Whiting. Ms Whiting has performed with a number fo jazz and soul luminaries from Jamie Cullum to Matthew Halsall’s Gondwana orchestra. Whiting has played the harp since the age of 6 but mainly played classical music. She started building her chops in jazz in recent years and she hasn’t look back. Based on this release the years of study have paid off. The disc starts out in a modal mood. “Messed Up” highlights Whiting’s gentle flourishes juxtaposed with the splash of drummer John Robinson’s high hat. “Stay For One” is a melancholy tune that features fellow Gondwana member Chip Wickham on flute. Wickham shows up again on the swinging tune “The Feist”. Whiting ebbs and flows around Wickham warm melodies. The harp has become more promiment than ever. Let’s hope this is just the beginning of delightful recordings from Whiting. Jazzman records never disappoints and this release is no exception.

DJ/Producer Otis Jackson aka Madlib refuses to stay in one lane. His roots in hip-hop are firm and his deep dive into jazz and Brazilian music has elevated him well beyond your average beat maker. With his latest release “Sound Ancestors” he hands over hundreds of beats to Kieran Hebden aka Four Tet. Hebden hand picks and re-masters some of the beat conductoer’s unreleased gems and knocks it out of the park. “Road Of The Lonely Ones” is a prime example. Madlib weaves together a classic 70s soul vocal sample over a drum snare beat. “Dirtknock” is vintage neck snapping hip-hop. “Duumbiyay” is another testament to the master of his craft. The tune features what started as acapella of children singing and culminates with spiritual jazz rhythms and live instrumentation woven together. Hebden arranges the entire disc with a nice flow so you’re treated to one prime cut after another. With hundreds of tracks in his posession here’s hoping another album like this one will be on the way.

DJ/Producer Lance Ferguson aka Lanu has so many projects that it’s futile to keep track. What’s extraordinary is there’s no dip in quality in any of them. Whether it’s The Bamboos, Rare Groove Spectrum or his Lanu project. Now with the third full length from Menagerie, he continues to cement his status as one of Melbourne’s brightest stars. “Many Worlds” blossoms with spiritual and straight ahead jazz compositions. The disc kicks off with potent “Hope”. Phil Noy’s robust tenor is in top here while Daniel Farrugla pushes everyone to the edge with his spirited drumming. The ex-factor here is the hymn caliber vocal harmonies that elevate the track to greater heights. The title track features a slow burning groove but the dynamic interplay amongst the musicians are high intensity. Pianist Mark Fitzgibon forays on electric piano are complimented by the sheer harmonic guitar rhythms sprinkled throughout. “Hymn of The Turning Stone” is another winner. Fitzgibbon’s brings the thunder once again with melodic flourishes that will keep your head on a swivel. Noy’s playing evokes images of Pharoah Sanders and the stylistic touches of the composition allows everyone to shine among this nine piece unit. The energy of the compositions, the musicianship and the vocal harmonies are healing and downright marvelous. Whether you’re a lover of spiritual or straight ahead jazz, purchasing this record will provide immediate satisfaction.

Masaki Konagi, aka MFP first caught our attention when he appeared on Gilles Peterson’s “Brownswood Electr*c 2”. Now with his debut “Natural Law” we’re serenaded with a collection of laid back hip-hop beats and infectious synth laden grooves. MFP (Mindfullpeace) has assembled some notable collaborators to bring out the best in his compositions. The aptly titled “Your Warmth” kicks off the disc with warm and hazy synths and a catchy drum snare beat. The title track is drenched in LA funk and features Melbourne based vocalist Alien. Simon Mavin of Hiatus Kaiyote adds beautiful electronic piano melodies to “Darlin Darlin”. Other notable contributors include Sauce 81, Natalie Slade and rapper Stan Smith. Masaki becomes one with nature and delivers an organic collection where the warm vibes get inside your body and puts you in a good headspace.

“Rhythm Of Years”, the new release from Joanna Law is filled with warm and soulful electronica compositions. You may be familiar with Law’s warm and languid vocals from her cover “First Time Ever” back in 1990. The Roberta Flack classic and other gems are featured here. There’s also several tracks that feature a collaboration with Pressure Drop, the Trip hop act that she worked with back in the nineties as well. “You’re Mine”, one of their collaborations starts the disc off.Law’s warm vocals are the perfect compliment to an unrelenting hypnotic groove that builds momentum over the course of play. “Song For Theo” is another winner that’s filled with sunny chords and synths layered on top of an infectious samba groove. As the title suggests, the album explores an array of rhythms and textures evolving from one composition to the next one. Add to that a number of tastyremixes and you have a gorgeous album filled with sublime recordings that you shouldn’t miss.