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Resolution 88 – Vortex [Synthethesia Records]
The London Jazz funk band Resolution 88 returns with their latest release “Vortex”. Bandleader and composer Tom O’Grady taps into jazz funk pioneers such as Herbie Hancock and The Mizell Brothers for inspiration. Highlights include “The Boss From Boston”. The funky tune features thumping bass rhythms from Tiago Coimbra. Special guest Tom Smith adds tasty melodies on tenor sax. As for O’Grady, he fuels the recording with layers of vibrant synth and keyboard arrangements. “Sky High”, a homage to Larry and Fonce Mizell is mellow spacious funk filled with swaying synths. “Love Will Come Around” is another mellow slow burn that features vocalist Vanessa Haynes. A delightful record that taps into the well of late seventies jazz funk with impressive results. O’Grady demonstrates that he’s a monst
er composer as well as a master of the rhodes.
The Brkn Record – The Architecture of Oppression Part 2 [BBE Music]
Jake Ferguson, one half of the Heliocentrics returns with volume 2 of his solo project, The Brkn Record. While the theme of vol 1 centered on braking down oppressive institutions, vol 2 takes an extra step in calling out the injustices within the system. Ferguson certainly has enlisted an array of socially conscious artists to push this message forward. The mighty Anthony Joseph appears on three tracks here. “Skull Tax” comes in with a roar. A thumping bass groove and infectious electric guitar provides the canvas for Joseph’s thought provoking lyrics. “We Need Freedom” is a spirtual gem that kicks off with simmering percussion followed by searing Tenor sax and flute rhythms. UK vocalist Jermain Jackman’s falsetto moves the track to another level. “Prison of Skin” is another spiritual jazz keeper that speaks to the socio-economics prison that has held back countless communities. Ugochi Nwaogwugwu, a Nigerian singer/poet adds her heavenly vocals to the tune. A strong recording that entertains and enlightens you simultaneously.
https://thebrknrecord.bandcamp.com/album/the-architecture-of-oppression-part-2
Arthur Melo – Mirantes Emocionais [Wonderfulsound]
Arthur Melo, a Brazilian composer, guitarist and singer returns after a three year hiatus. Backed by his band O Ministerio da Consciencia, the new album “Mirantes Emocionais” pays homage to Melo’s heroes of the 70 & 80s, specifically Milton Nascimento. In addition, the album has plenty of film refernces as he’s studied film and is a fan of the great Director Brian De Palma. Melo’s feathery vocals float over the percussive electric guitar driven “Dama da Noite”. The psychedelic “Principios Organizadores” simmers with electric and acoustic guitar rhythms. Dante Batista Ribeiro’s playing on the sitar adds another layer of flavor to the recording. “Saidas” is a blissful acoustic tune enhanced by the gentle brushes from drummer Theodora Viana. Produced by Kassim, “Mirantes Emocionais” is a superb recording that recalls the past while applying new ideas from the present.
https://wonderfulsound.bandcamp.com/album/mirantes-emocionais
Alina Bzhezhinska and Tony Kofi – Altera Vita [BBE Music]
When it comes to Jazz duos, the tenor sax and the harp probably isn’t the first combination you think of. That said, the pairing of Tenor saxophonist Tony Kofi and harpist Alina Bzhezhinska is a heavenly match indeed. “Altera Vita” is a divine recording of two musicians submerging into a cohesive duo creating crisp yet warm compositions. “Tu Vides” begins with meditative percussion that the duo also contributes to the set. Kofi follows up with a seductive solo intertwined with Bzhezhinska’s gentle phrases. While her touch is tender she manipulates the strings for a bigger sound. “Audite Me – Hear Me” opens with the superb Muriel Grossman on the tanpura bass. The Middle Eastern rhythms combined with Kofi’s solo creates a spiritual jazz vibe. Bzhezhinska spins out phrases that bring it all together. Two great performances result in a marvelous recording. This will certainly inspire repeated listens.
Bruk Rogers – Loopholes [Tru Thoughts Recordings]
Cian McCann aka Zero T made his mark in the drum n bass arena. He has a number of recordings on the 4Hero label Reinforced records. He ventured into Bruk during the pandemic and his first release landed on renowned Bruk DJ/Producer Afronaut’s label. Alas, Bruk Rodgers was born. “Loopholes”, the full length debut on Tru-thoughts spans various genres with broken beat as the centerpiece. “Deusa” is ignited by latin rhythms and the warmth of vocalist Roberta Silva. “Feel Alright” is bubbling with broken beat rhythms that features rapper Jswiss and pianist Onj. “Jelly Head” is another banger filled with dazzling synths that features Wipe The Needle. This is an infectious album that’s filled with bangers and shines a light on club culture.
Tess Hirst – HERstory [Jazz Re:freshed]
Tess Hirst first came to my attention during her collaboration with Bassist Daniel Casimir. Their joint album “These Days” showcased her ethereal vocals and songwriting. In addition, she was accompanied by some of London’s premiere musicians who are at the forefront of UK club culture. Hirst’s solo debut “HERstory” picks up where that album left off. The disc kicks off with the simmering “This Is Her”. Hirst’s emotive vocals intertwine seamlessly with the Tomorrow’s Warriors string section. The finale “Magic” is a tribute to their ability to rise to any challenge. This high energy tune is spearheaded by Richard Spaven’s propulsive drumming and Casimir’s driving bass rhythms. Pianist Sarah Tandy completes the band and their cohesion is notable. London based label Jazz re:freshed continues to be the place for superb Jazz recordings. This marvelous lp is no exception.
Stro Elliot – La Villa [Def Pressé]
DJ/Producer Stro Elliot is the latest Def Pressé member to dive into the vaults of the London based KPM/EMI record library. You may be familiar with Stro’s hip-hop samples through his affiliation with the Roots. The KPM libary spans seventy years of music across a myriad of genres. The arrangement between KPM and Def Presse was a benefit to fellow labelmate Damu the Fudgemunk and his recent projects. Based on this release Elliot came away with some hidden gems with a seventies soul vibe. Specifically they would feel right at home in a James Brown catalog. The opening track “Monday’s Generation” is a prime example. The drum kit snare lays down the beat while the uplifting flute and guitar rhythms round things out into form. “Bamboo” is a mid-tempo hypnotic boom bap tune. The Asian cinematic soundscapes would easily fit into a Wu Tang recording. It must have been a daunting task for Elliot to narrow down his selections. That being said the ten tracks he came up with certainly have hit the mark.
VA – Reference Point [BBE Music]
Mark GV Taylor and George Arthur are the curators for Reference Point. Since 201
2 Reference Point has hosted events that have attracted listeners and musicians
world wide. The twelve track lp features a global menu of glorious music old and new. “Palavras” erupts with warm Samba vibes courtesy of Caixa Cubo. “We Don’t Have To Talk About It” is classic rock with a touch of mellow jazz from the NYC based band Bell Helium. “A Place In Space” is a laid back seventies boogie tune from Joe Thomas. “Factory Rhythms” is sublime modal jazz from the JR Quintet. Once again BBE delivers with another marvelous compilation certainly worth checking. A great combination of reuniting with familiar tunes as well as an introduction to something new.
Menagerie – The Shores Of Infinity [Freestyle Records]
The fourth installment from Menagerie and the third lp released on Freestyle records. The group led by Lance Ferguson expands beyond the spiritual jazz recordings of the previous releases. “The Shores Of Infinity” features more groove oriented compositions yet they contain plenty of potency to keep you locked in for the ride. Evidence of that lies in the title track, a breezy funk number that’s airy, free and laced with warm electric piano chords. “Kingdom” is a fusion banger filled with bubbling percussion and vocal harmonies. Top that off with engaging soloing from trumpeter Ross Irwin. “Danieda’s Dance” is reminiscent of the deeper compostions the band has become known for. The nine minute track is punctuated by flurries of tenor riffs from Phil Noy and majestic piano flurries. This is another marvelous recording from Ferguson that you shouldn’t miss.
https://freestylerecords.bandcamp.com/album/the-shores-of-infinity
Scrimshire – Paroxysm [Albert’s Favourites]
“Paroxysm”, the latest from Adam Scrimshire was inspired mainly by the inhumane treatment of refugees and migrants by the government. There are a couple of tunes related to the pandemic but the mistreatment of migrants was too much to ignore. Fortunately Scrimshire’s emotive compositions provide a voice for all of us who are outraged while serving as a welcoming tonic. The haunting soundscapes of “Eyes Wide Shut” provide plenty of space for Faye Houston’s soothing vocals to glide over Scrimshire’s piano rhythms. “Your Invitation is A Lie” erupts with Idris Rahman’s powerful flurries on tenor topped off by spirited drumming. “Flames” is another highlight. Tamar Osborn’s clarinet provides warmth and the arrangement is elegant and luminous. “Paroxysm” is a splendid representation of the moods we’re experiencing right now. Whether it’s joy, pain or indifference you can be certain that Scrimshire can channel it into something beautiful. This album is evidence of that.