Paolo Fedreghini and Marco Bianchi together with Schema’s co-founder Luciano Cantone are The Invisible Session. There are no real surprises here just the type of solid Italian jazz we have long come to expect from Schema. Jenny B handles most of the vocal chores throughout this set and particularly shines on the stunning mid-tempo groove ‘Til The End’ and the single ‘To The Powerful’, a deep and mystical affair.

Andy Allen

Nomo’s 2nd album continues the heavy percussion and horn laced Afro-jazz vibe established on their 1st self-titled outing from 2004. ‘New Tones’ is a consistently good set throughout but pay special attention to ‘Hand And Mouth’ and the title track (spelled ‘Nu Tones’ for some reason) which has a bass line reminiscent of that on Lonnie Liston Smith’s ‘Expansions’. This one is destined to mash up the dance floors in the coming months. Also look out for the recent 12" on Kindred Spirits which features 4 tracks from the 1st album.

Andy Allen

As the subtitle suggests, Harmless’ latest compilation selected by Bill Brewster focuses on the influence of black American funk and soul on the rock scene. There seems to have been a growing interest in this genre, folk-funk, funk-rock etc over the past few years and I for one am slowly but surely opening my mind to it. Not all here is to my tastes but it’s nice to see the inclusion of Chicago’s percussive ‘Happy Cause I’m Going Home’ along with Odyssey’s infectious horn driven soul sensation ‘Battened Ships’. Other standouts are the album’s opener, a great version of ‘Spooky’ by Classics IV, the Steely Dan influenced ‘Hesitation’ by Honk, the crossover soul sound of Elkie Brooks’ ‘Spiritland’ and the one I’m currently playing, Gino Vannelli’s ‘People Gotta Move On’, which comes off like a Stevie Wonder track. The CD features a bonus disc mixed by Brewster under his Fat Camp guise and includes some tasty re-edits.

Andy Allen

Following on from last year’s brilliant ‘The Soul Of Disco’ compilation, Joey Negro and Sean P again put their heads together, this time coming up with a selection of 20 boogie rarities. To these ears some of the tracks really haven’t aged well and suffer from the crashing drum machine and synth effects so prevalent during the 80s. However there are some real delights contained within, namely Mid Air’s ‘Ease Out’, C Brand’s epic ‘Wired For Games’ and Lowrell Simon’s sought after masterpiece ‘Love Massage’. Other worthy inclusions are Vera Brown & The Rich Girls’ ‘Living Too Fast’, ‘Am I Gonna Be The One’ from Colors, Samson & Delilah’s ‘I Can Feel Your Love (Slippin’ Away)’ and the gospel flavoured ‘I Am Going To Love Him’ by Sanctuary. Takes me back to the days of wet look perms, headbands and formation dancing!

Andy Allen

These latest offerings from Ryota Nazaki follow a similar path to that walked on his previous sets, seamlessly fusing elements of jazz, Brazilian, house, broken beat etc. The Flora Purim fronted ‘Dentro De Mim’, ‘Dentro Mi Alma’ featuring Sonia Santana and the title track on ‘Cannibal Rock’ all shine brightly, as does the twisted broken cut, ‘Beeping’. ‘En:Code’ opens with the spiritual vibes of ‘Pathways (Jazztronik Theme)’ with Valarie Etienne and Rob Gallagher, a track 4 Hero would have been proud of. It then passes through the Marcos Valle blessed ‘Rio. Sol E Mar’, ‘Little Tree’, a violin led waltz and the epic tech-jazz title track. I hear through the grapevine that Pantone are soon to release the best tracks from this pair on a single CD album for the UK market.

Andy Allen

‘The Kings Of .’ series continues with this latest instalment delving into the world of jazz. The CD features 25 tracks spread across 2 discs. Disc 1, selected by Gilles Peterson, mainly concentrates on the 60s and 70s with nuggets such as Donald Byrd’s ‘Cristo Redentor’, John Coltrane’s ‘Equinox’ and Mark Murphy’s version of ‘My Favorite Things’. Other highlights include ‘Quiet Fire’ by drummer Roy Haynes, taken from his album ‘Thank You, Thank You’ (Galaxy 1977), Lee Konitz’ modal masterpiece ‘Five, Four And Three’ and the haunting ‘Moves’ from Charles Mingus which features Honey Gordon and Doug Hammond (Tribe Records) on vocals. The second disc is compiled by Jazzanova and shines the light on the new breed of jazz artists. Although I’m not convinced by the inclusion of United Future Organization’s ‘Loud Minority’, on the whole this is a great set. Opening with 4 Hero’s ‘Spirits In Transit’ and ending with the beautiful Jamie Lidell fronted ‘Everything’s Changed’ by The Matthew Herbert Big Band. In between we’re treated to music from The Five Corners Quintet, Two Banks Of Four, Soil & Pimp Sessions and Sleepwalker’s ‘Into The Sun’ featuring Bembe Segue. Bembe turns up again on a live version of ‘Mother Of The Future’ which is absolutely storming as is Jeffrey Smith’s take on ‘Afro Blue’. Also worthy of note are ‘Inner City Life’ by [re:jazz], Nikki O’s ‘Butterflies’ and the Nicola Conte version of Sunaga T Experience’s ‘No Rhyme No Reason’, which was previously only available on Japanese 12". The vinyl edition is split over 2 separate double packs and in total contains only 20 tracks.

Andy Allen

Is there no stopping these guys?! It was only last month I reviewed their ‘Crush!’ EP, and here they are again with a full length album, ‘Pimp Of The Year’. If you’ve been paying attention then you know the score, this is jazz with punk attitude. The set features ‘Summer Goddess’ and ‘Crush!’, the title tracks of their last 2 EPs along with goodies such as ‘Worldwide’ (a dedication to Gilles perhaps?!) and ‘Sahara’ with it’s stunning piano work. My particular favourites though are ‘Scoop Out’ which sounds like a 70s cop show theme, the feel good vibe of ‘Last Long’, a solid jazz-funk affair and track 8, a beautiful modal waltz. This track has a Japanese title and although on some web sites it’s translate as ‘Fragment’ from the ‘Summer Goddess’ EP it is not the same track.

Andy Allen

Nnenna Freelon has long been one of my favourite jazz vocalists and since her award winning self titled debut in 1992 has rarely disappointed. On this her 10th album she delves into the Billie Holiday songbook, whether it be songs written by Lady Day or ones that will eternally be associated with her. ‘God Bless The Child’, Strange Fruit’ and ‘Willow Weep For Me’ are all handled beautifully but I’m currently hooked on ‘I Didn’t Know What Time It Was’. The band really let loose on this funky swinger whilst Nnenna performs vocal acrobatics, soaring high and sweeping low, putting her own distinctive stamp on this evergreen.

Andy Allen

The gravely voiced modern soul man Anthony Hamilton impressed with tracks such as "Since I Seen’t You" (whatever that means) and "My First Love" from his "official" debut album "Comin’ From Where I’m From" (So So Def 2003). "Ain’t Nobody Worryin" continues in a similar vein and whilst there’s nothing to quite compare to the aforementioned cuts I bring it to your attention for "The Truth", a wonderful low slung sexy groove. Also worthy of note is the socially conscious title track, co-written and produced by Raphael Saadiq. Hamilton’s southern roots really shine through on this one.

Andy Allen

Timeless Records was established in Holland in 1975 initially as a means to expose US jazz artists to a European audience. Compiled by the folks behind the Kindred Spirits label this twelve track disc unearths some absolute gems. The album opens in fine style with Rodney Jones’ dreamy fusion piece ‘Articulation’ from 1978, before slipping into ‘Moonchild’ and ‘Africa’ by Pharoah Sanders. Batida are represented with their versions of ‘Ponteio’ and ‘Vera Cruz’ and there’s also a great version of Horace Silver’s ‘Sayonara Blues’ by The Bronx Horns. Other highlights are Carter Jefferson’s majestic ‘The Rise Of Atlantis’, Benny Golson’s tribute to John Coltrane, ‘Times Past (This Is For You, John)’ and ‘Aquelas Coisas Todas’ by Samba Trio. For the vinyl junkies there’s also a four track sampler available.

Andy Allen