Yearly Archives: 2006

I believe this will be the last release on this excellent and constant label, and what a way to finish its reign of everything soulful. Here is a mix of unreleased and essential tracks from the back catalogue. Of course Break Reform appears, but here are the essential remixes by Domu, Unknown Quality and Yam Who? Nanar sounds so, so good on unreleased tracks with Low Budget Soul, Kamara and the classic, but rare, Aztec Productions. Other tracks worth mentioning are Low Budget Soul featuring Marcia Escoffery and the Break Reform remix of Alison Evelyn’s ‘Found A New Thing’. This may be the end of Abstract Blue, but Simon S and collective will be back with new label Futuristica very soon: roll on 2006.

Simon Harrison

Here’s the next instalment to ?uestlove’s compilation for BBE, and as the title suggests, it is no surprise this was released on 14th Feb. He again digs back with more classics from Al Green, Delfonics, Natalie Cole, Delfonics and Bobby Womack. If you’re after romantic lyrics for Valentine’s Day, then you’d better give this a miss today, but what it does is give you is a small insight in to the good old days of real soul music, and lyrics which a number of current bands could take some pointers from. BEE never fails to impress.

Simon Harrison

Most people will be interested in this compilation because it features Carl Craig’s excellent remix of Theo Parrish’s ‘Falling Up’, which featured on a limited 10", and has been seen going for silly money on Ebay and played by just about every DJ across the land. This isn’t just about one track because this is a damn fine compilation, with ten more quality remixes, six of which were unreleased until now. Twiddling the knobs are Amp Dog Knight, Marcellus ‘3 chairs’ Pittman, Gilbr and Beatdown Brothers, to name a few. In fact just about every Detroit producer is on here. A mix cd will also follow shortly compiled and mixed by Norm Talley. Third Ear looks after its punters.

Simon Harrison

It’s been around five years since Grupo X broke through with their debut album "X-Posure" and it’s great to have them back, even though they’ve never really been away, with an extensive live schedule. "Food For Your Latin Soul" continues where they left off, with a mix of Salsa, Bugalu, Latin, Brasilia and Jazz. All eleven songs have been written by bandleader Jonny Enright and Jimmy Le Messurier, and once again on lead vocals we have Lisa Millett, who’s caused quite a stir on the house scene, but the six tracks she features on here are much better suited to her vocals. Five years is a long time in the music industry but it’s been well worth the wait.

Simon Harrison

I’ve been holding back buying this album for a few months hoping that vinyl copies might appear but in the end I just couldn’t wait any longer. Nicole Willis has been on the scene for years but I still get the impression that she still hasn’t received the attention she fully deserves. Not many people can say they’ve worked with Brand New Heavies and Curtis Mayfield and that they were one of the original members of Dee-Lite or recorded for the legendary Mo’ Wax. As I’m sure you’ve guessed, this time Nicole teams up with Finland’s funk band The Soul Investigators, who have built their own reputation over the years. The final result is a wonderful 70’s funk mash-up that could easily fool any music purist into believing this was recorded back in the day.

Simon Harrison

Here we have the first collaboration between Roger Eno and Will Thomas aka Plumbline, both of whom have released projects on All Saints and Hydrogen Dukebox. This is a beautiful cinematic album with a whole host of influences, which literally include sounds from clocks, cars and church bells, the kind of thing you would expect from Matthew Herbert. In fact the first track “Transparency” could easily be the work of Herbert himself. The recording “Transparencies” began with joining the dots of various churches and buildings among the beautiful landscape of East Anglia. Things then moved to New York to be manipulated by Will, which gives the album the gritty rhythms, melodies and soft tones. Lovely stuff.

Simon Harrison

These latest offerings from Ryota Nazaki follow a similar path to that walked on his previous sets, seamlessly fusing elements of jazz, Brazilian, house, broken beat etc. The Flora Purim fronted ‘Dentro De Mim’, ‘Dentro Mi Alma’ featuring Sonia Santana and the title track on ‘Cannibal Rock’ all shine brightly, as does the twisted broken cut, ‘Beeping’. ‘En:Code’ opens with the spiritual vibes of ‘Pathways (Jazztronik Theme)’ with Valarie Etienne and Rob Gallagher, a track 4 Hero would have been proud of. It then passes through the Marcos Valle blessed ‘Rio. Sol E Mar’, ‘Little Tree’, a violin led waltz and the epic tech-jazz title track. I hear through the grapevine that Pantone are soon to release the best tracks from this pair on a single CD album for the UK market.

Andy Allen

Following on from last year’s brilliant ‘The Soul Of Disco’ compilation, Joey Negro and Sean P again put their heads together, this time coming up with a selection of 20 boogie rarities. To these ears some of the tracks really haven’t aged well and suffer from the crashing drum machine and synth effects so prevalent during the 80s. However there are some real delights contained within, namely Mid Air’s ‘Ease Out’, C Brand’s epic ‘Wired For Games’ and Lowrell Simon’s sought after masterpiece ‘Love Massage’. Other worthy inclusions are Vera Brown & The Rich Girls’ ‘Living Too Fast’, ‘Am I Gonna Be The One’ from Colors, Samson & Delilah’s ‘I Can Feel Your Love (Slippin’ Away)’ and the gospel flavoured ‘I Am Going To Love Him’ by Sanctuary. Takes me back to the days of wet look perms, headbands and formation dancing!

Andy Allen

As the subtitle suggests, Harmless’ latest compilation selected by Bill Brewster focuses on the influence of black American funk and soul on the rock scene. There seems to have been a growing interest in this genre, folk-funk, funk-rock etc over the past few years and I for one am slowly but surely opening my mind to it. Not all here is to my tastes but it’s nice to see the inclusion of Chicago’s percussive ‘Happy Cause I’m Going Home’ along with Odyssey’s infectious horn driven soul sensation ‘Battened Ships’. Other standouts are the album’s opener, a great version of ‘Spooky’ by Classics IV, the Steely Dan influenced ‘Hesitation’ by Honk, the crossover soul sound of Elkie Brooks’ ‘Spiritland’ and the one I’m currently playing, Gino Vannelli’s ‘People Gotta Move On’, which comes off like a Stevie Wonder track. The CD features a bonus disc mixed by Brewster under his Fat Camp guise and includes some tasty re-edits.

Andy Allen

This is George’s fifth studio album and 4 years since the release of the last N.O.W. long player ‘Mind Elevation’. Respect goes out to the fact that George Evelyn is the longest serving artist on the legendary Warp Records label and is about to drop some tunes on his very own label ‘Wax On Records’.
‘In A Space Outta Sound’ is exactly what you’d expect from a Nightmares On Wax album. Massively chilled, full of soulful beats and teasing with the odd vocal here and there. Those expecting something different from the usual N.O.W. stuff will not find it on this album. But don’t get me wrong, the sound George creates, he creates very well and the beats on this album do sound fresh and are definitely aimed at the more laid back situation if you know what I mean.
Nightmares On Wax fans will dig the album for sure and it’ll be good to hear these new tunes performed live where I feel you’ll be given a new dimension to the sound. It’s no ‘Smokers Delight’ but that was an album of it’s time. ‘In A Space’ Is less sparse with more a groove, great production and a overall quality vibe. A solid soulful number 5 for N.O.W.

Jax

Originating from Australia, The Bamboo’s have been rocking dancefloors ever since their self-funded 7". They were then signed to Kay-Dee Records, and Tru Thoughts recognised the talent and signed their debut. The sound is not a million miles away from Quantic Soul Orchestra, and on guest vocals is the wonderful Alice Russell on the single ‘Step It Up’ and also on the fantastic funk-fuelled version of Afronaught’s Broken Beat anthem ‘Transcend Me’. Also featured are updated versions of the Kay-Dee releases, so don’t think you’re being fiddled if you already have the singles. Even though Tru Thoughts are currently firing out albums, every single release is of the highest quality.

Simon Harrison

I’m certain all the house heads out there have been playing this since it was released in 2004, but it’s one I completely missed and thankfully R2 have given us a second chance to check out this excellent album. With predominantly house based tunes, these tracks are the best you can buy. Lead singer is of course Christian Urich from Cooly’s Hot Box, who sounds as good as ever. Even though most tracks are for clubland, they mix Disco, Jazz and Soul elements which will even appeal to the true Soul boys. This is without doubt the best way to be introduced to Tortured Soul.

Simon Harrison

Fedreghini & Bianchi released ‘Several People’ to great acclaim in 2005 and they’ve now revisited the album to create ‘Several Additional Waves’ with new reworks rather than remixes. From the original recording only the vocals have been maintained and everything else has been re-programmed and played again, giving the tracks a more electronic feel. Some of the purists may prefer the original but for me it highlights their talent and proves they are in tune with modern clubs and classic compositions. Go on, buy both versions.

Simon Harrison

In June 2005 I:Cube played the Star Ball festival at the Planetarium de la Villette in Paris and here is your chance to hear a 55 minute snippet of the I:Cube Playmobil spaceship to enjoy in your own living room. This performance is a mix up of Electronica, Ambient, Dub, Deep House and beautifully structured in such a way that you need to listen to the whole album from start to finish for it to make perfect sense. If you dip and skip you will miss the point and ambiance of this album, so take time out and listen properly.

Simon Harrison

Here we have the debut album from Tokyo’s saxophonist Kaz Katuta aka Jafrosax which is produced by Yukihiro Fukutomi and Jazztronik. First thing you should know was that Vikter Duplaix features on “In The Morning” which was released as a single in 2005, with excellent remixes from Orto aka Faze Action and Jazztronik. Also featured are quality Japanese rapper Gaggle and the wonderful Yukimi Nagano who sounds as good as ever on “Drawn 2 You” and “Wait and See”. Katuta has got the right balance between old and new here, and has even dared to re-work Underground Resistance’s classic 2Hi Tech Jazz”. Another fine selection from Pantone.

Simon Harrison