Schema records has become the home for infectious groove based Latin Jazz recordings and DJ/Producer Gerado Frisina is a major reason for that. “Moving Ahead”, his latest release is loaded not only with Latin Jazz but Dub, electronica and Afro Cuban rhythms. Like his previous albums, Frisina has surrounded himself with an all star lineup of superb musicians. Ermesto Lopez’s sizzling percussion is the ignition to “Marombo”, a tune originally featured on last years EP. Lopez’s percussion combined with Alfonso Deidda’s baritone sax is simply hypnotic on “Face The Music”. “Nalhl’s Son” features Haruna Kuyateh on the Kora. Frisina discovered Kuyateh, a native of Gambia by chance while walking the streets of Milan where his playing caught his attention. It will certainly catch yours too. “Moving Ahead” is an instant party starter with fourteen tracks will have you moving and groovin. It evokes images of a bygone era of crowded dance floors and live jazz bands filling a room. You’ll no doubt enjoy this album no matter how you consume it.

The Vision is the brainchild of singer songwriter Ben Westbeech and DJ/Producer Kon. This was a project five years in the making. They first worked together in 2012 and a chemistry was established. We won’t hold it against them that a follow up has taken so long only because this lp is so darn good. We’re simply thrilled it actually happened. Westbeech adds his vocals to a couple of tunes here. The remaining vocal dutuies are placed in the very capable of hands of Andreya Triana. She’s simply marvellous on “Missing”, a thumping track with a wicked bass groove. Triana isn’t the only guest vocalist here. The Detroit trio known as Dames Brown demonstrate that they’re a vocal powerhouse to be reckon with as evidenced on the soul stomper “Down”. Westbeech’s vocals shine on “Time” which also includes sparkling vibes from Roy Ayers. The disc winds down with “Home”. Triana sings about the long grind of being on the road that’s coming to an end. Kon and Westbeech knock it out of the park with a wonderful lp loaded with infectious dance grooves. If this doesn’t lift your spirits, check your pulse.

The popularity of House Music in South Africa is unrivaled by any other country. Pretoria native Thorne Miller, one of the premier producers has made a significant contribution with a healthy catalog of quality EPs and remixes over the last five years to boost his status. “House Of Dreams”, his first full length release embodies his signature sound of stripped down deep house grooves with a distinctive emotional vibe. Look no further than the title track, a pulsating tune enhanced by the soft and airy vocals of Jamie Fallon Smith. “The Sound Of Her Voice” is soothing atmospheric house layered with electronic rhythms. “Night Moves” just oozes with melancholic vibes punctuated by a driving house groove. Chances are you’ve grooved to a Thorne Miller track before and didn’t even know it. This disc, highlighted by one superb track after another provides plenty of warmth and soulful goodness one graves in a dance track. It should also provide the accolades that Miller rightfully deserves.

Girls Of The Internet is a dance band collective lead by Tom Kerridge. “Girls FM”, their second album evokes memories of 90s House and vintage Disco grooves. “Infinite Harmony”, the lead single is filled with infectious electronic grooves complimented by soothing strings. “By My Side” is a slice of 80s funk with emotive vocals. “Shelter Me From The Storm” is punctuated by a combination of gorgeous chords, a heart pounding drum snare and soaring vocals from B Mela. “Time” is a mellow synth pop pleaser. Kerridge pays tribute to the Disco divas whose vocals graced many timeless dance tracks yet never received their due. There’s plenty of tasty tunes here certain to grip your hips and move your feet. A well produced and thrilling release that captures the spirit of the past yet sounds right on  time today.

In a short time, Ill Considered has built a reputation as a unit delivering inspired meditative as well as spiritual jazz compositions. Although “Ill Considered 3” contains material written specifically for this recording, the group still manages to stretch out and improvise on the fly. By doing so they’ve captured the spirit of the live performances they’ve become known for. Each recording here starts out with warm, if somewhat loose melodies before they begin to push the boundaries. None more so than saxophonist Idris Rahman. “Djinn” begins with Leon Brichard’s simmering bass groove along side Vincent De Boer’s mystical brushes that create a mood of an ethereal passage. Rahman’s sax is warm yet powerful and full of raw emotion. “Delusions” pushes the tempo into high gear with the help of percussionist Satin Singh. Rahman’s melodic flourishes coat every composition and they are a thing of beauty. There’s a lot going on with these recordings and each member brings their own unique set of skills to the table. This is essential listening that you shouldn’t miss.

Fans of Byron The Aquarius might be a bit surprised when they set their ears to his latest release. While “Ambrosia” has elements of house it’s also bursting with jazz fusion as well. The disc kicks off with “New Beginnings”. Brazilian native Chocolat’s percolating bass gives the track a little Latin flavor while Rasheeda Ali’s tasty flute adds a heavenly melody. Trumpeter Dashill Smith’s graces the aptly titled “Space & Time”. In addition to the five original compositions there are some notable remixes on tap. Produced by Detroit techno pioneer Jeff Mills who matches Byron’s mastery of infectious grooves with an array of talented musicians. “Ambrosia” is evidence that Byron is more than just an esteemed DJ/house producer.

You may be familiar with Marc Brown and Chris Franck from their work with the group Smoke City and Da Lata. Each focused on their own solo material before getting back to form The Quiet Ones. Their shared love for African and Brazilian music is spread all over this project. “Ninguem” featuring Carlo Alexandre and Amarina Sena is sublime and filled with sun drenched Brazilian melodies. You’re forgiven if you thought for a minute you were listening to Seu Jorge on this track. “I Need Your Love” is filled with psychedelic guitar rhythms. “Malamba” featuring vocalist Sergio Perere is filled with the rich Afro Brazilian traditions of sparkling guitar and percussion. Jordanese vocalist Lama Zakharia is a delight on the exotic “Mawjood”. Brown and Franck have assembled musicians from London to Brazil to Senegal. They pay proper respect to the traditions by creating a modern Brazilian gem that’s deeply satisfying.

2020 has taken a toll on all of us but few have expressed that emotional angst quite as beautifully as Jarrod Lawson. “Be The Change” is his latest release and first for Dome records is nothing short of brilliant. Lawson’s tenor vocals are equally matched by his lustrous keyboard arrangements and songwriting. The title track sets the stage with a gorgeous piano melody and a romping groove. Lawson’s plea to start with ourselves in order to make real change is punctuated by his soaring vocals. Lawson’s pairing with Moonchild’s Amber Navran feels like a match made in heaven on the melancholy “I’ll Be Your Radio”. The Latin tinged “How Long” begins with percolating percussion and flute. The piano eases in before Lawson’s silky vocals take over, calling out for accountability from our elected leadership. The gap between albums was wide but this one was certainly worth the wait. It’s easily one of the best of the year.

Mekbuda is the latest group to emerge from the burgeoning Russian Jazz scene. Their release “Convincing Delusional” is an experimental ride filled with a touch of cosmic jazz. The opening track “KSpacey” is layered with exotic melodies. Keyboardist Alex Petrov and trumpeter Igor Shilov play with a rhythmic urgency that trickles down to the rest of the band. “Distant Shining” is a serene and tranquil space odyssey. “The Space Of Variations” is a ambient composition highlighted by gorgeous flute melodies layered on a hypnotic groove. Despite only six tracks each one is dynamic and showcases their compositional chops. An impressive release that fits in nicely alongside the new generation of jazz musicians.

Amongst the new wave of UK jazz phenoms, tenor saxophonist Nubya Garcia is one of the hardest working musicians. Whether it’s the two EPs she has released or the numerous appearances she’s made with her talented contemporaries. Whatever the occasion she has made her presence felt. While on tour she managed to find the time to write the material that would ultimately lead to “Source”. Not only is it her official full length debut but it’s also released on the infamous Concord records. With a legendary company behind her she lives up to the challenge with ease. The lp opens up with “Pace”. Garcia’s haunting melodies overlapping a hybrid of rhythms punctuated by bassist Daniel Casimir and drummer Sam Jones. The title track is a dynamic manifestation of afro Caribbean rhythms and sound system culture. Garcia’s hearty tenor floats over the atmospherics created by drummer Jones. Joe Armon-Jones spirited forays on keys takes the track to greater heights. It’s simply twelve minutes of pure orchestrated bliss prone to repeated listens. “Together Is A Beautiful Place To Be” demonstrates Garcia and her bandmates are equally at home with a ballad, each adding a gentle touch. “Source” is far from a traditional jazz record and for that we’re thankful. Garcia’s rich improvisational skills combined with her deep musical heritage makes for a satisfying listen, not to mention a force to be reckoned with.