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Sessa – Pequena Vertigem de Amor [Mexican Summer]

“Pequena Vertigem de Amor” is the third album from Sergio Sayeg, aka Sessa. Recorded on the outskirts of Sao Paulo, the album finds Sessa in a new chapter in his life. He recently became a father and suddenly he had a purpose greater than music.. Fatherhood played a role in his songwriting approach for this project. The music of Erasmo Carlo’s 1972 album “Sonhos e Memorias” also is a heavy influence as well. Evidence is found in “Bicho Lento”, filled with blissful flute arrangements courtesy of Alex Chumak (Soyuz). Sessa’s feathery vocals and gentle guitar are simply sublime. “Nome de Deus” is modal Jazz meets Samba. “Vale a Pena” is a melodic tune aided by warm female vocal harmonies. Sessa incorporates a Suette electric piano, an obscure Brazilian keyboard comparable to the fender rhodes. Cecilia Goes, Lau Ra, Ina & Paloma Mecozzi are the vocalists who are at Sessa’s side throughout the album. Sessa stretches the boundaries of traditional Brazilian music with inspiration from his soul music influences. Unlike “Grandeza” which is delightful in its own right, the inclusion of piano and synths here takes this record to another level.
Mark de Clive-Lowe – Past Present (Tone Poems Across Time) [Impressive Collective/BBE Music]

Mark de Clive-Lowe’s latest release, “Past Present (Tone Poems Across Time)” is a solo project that is driven by an introspective look into his family and heritage. This is a project that may have never seen the light if not for the persistence of close friend and multi-instrumentalist Carlos Nino. Nino also suggested that De Clive Lowe record at Ken Barriento’s analog synth studio. As a result, the eleven track release yields a vivid canvas of sounds. That’s largely due to the use of twenty two keyboards across all recordings. The rich ambient synths stand out on tracks like “Present Past”. “Heart” is warm, spacious and peaceful. The entire album is meditative and moving. Mark takes us along his journey into his family history and provides a quiet pause along the way.
https://markdeclivelowe.bandcamp.com/album/past-present-tone-poems-across-time
Alina Bzhezhinska and Tony Kofi – Altera Vita [BBE Music]

When it comes to Jazz duos, the tenor sax and the harp probably isn’t the first combination you think of. That said, the pairing of Tenor saxophonist Tony Kofi and harpist Alina Bzhezhinska is a heavenly match indeed. “Altera Vita” is a divine recording of two musicians submerging into a cohesive duo creating crisp yet warm compositions. “Tu Vides” begins with meditative percussion that the duo also contributes to the set. Kofi follows up with a seductive solo intertwined with Bzhezhinska’s gentle phrases. While her touch is tender she manipulates the strings for a bigger sound. “Audite Me – Hear Me” opens with the superb Muriel Grossman on the tanpura bass. The Middle Eastern rhythms combined with Kofi’s solo creates a spiritual jazz vibe. Bzhezhinska spins out phrases that bring it all together. Two great performances result in a marvelous recording. This will certainly inspire repeated listens.
VA – The Congregation – Jazz Alliance International [Right Tempo]

Whereas most compilations focus on the past, Massimiliano “Jazzcat” Conti shines a light on the quality recordings of the present. The Italian resident DJ has delighted listeners with his eclectic mixes and mix shows. The Congregation is a superb collection that intertwine soul and modern jazz tracks with present day culb culture. Evidence can be found with “Seasons In My Mind”. The previously unreleased Yellowtail track that features jazz crooner Mark Murphy. Mama Terra’s “Ruptura” is a spiritual jazz burner that’s equally enjoyed on the dance floor or in your living room. The hard driving piano rhythms aligned with orchestral vocal harmonies will bring immediate satifaction. The finale “Who Will Save The World” features the spoken word genius of Anthony Joseph. The seven minute gem is fueled by a simmering groove, warm piano melodies and a sterling horn section. There isn’t a weak track in sight here. The Milan based Right Tempo records consistently delivers with quality recordings and this is no exception.
https://righttempo.bandcamp.com/album/the-congregation-jazz-alliance-international
Web Web – Web Max II [Compost Records]

The Munich based quartet return with their fifth album. “Web Max II” once again features producer Max Herre. Herre gives the disc an understated spiritual jazz vibe filled with moments of intense soloing. “Perennial Journey” features spoken word paying homage to the pioneers that paved the way before them. The tune has a seductive grooe aided by an infectious guitar rhythms and mediatative flute. “Testimony” is ignited by a brooding melody and haunting bass clarinet flurries alongside a heavenly chorus. “Olobo” is a sublime orchestral recording that features Carlos Nino on cymbals, chimes and other instruments. The band continues to explore the depths of spiritual jazz and come away with another marvelous recording.
Malcolm Strachan – Point Of No Return [Haggis Records]

https://malcolmstrachan.bandcamp.com/album/point-of-no-return
Cosmic Renaissance – Universal Language [Schema Records]

https://gianlucapetrella.bandcamp.com/album/cosmic-renaissance-universal-language