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Guinu – Palagô [Razor-N-Tape]

September 23, 2022

Brazilian musician/producer Pedro Guinu debuts with the samba flavored “Palego” The title is a homage to Lapa, a neighborhood in downtown Rio. the place to be for night life, good food and good music. The album reflects that vibe with an array of simmering tunes. “Haja Fe” is layered with infectious polyrhythms, lush vocals and sunny chords. “Amanha” is a mellow samba instrumental slow burner. “Joana Joa” kicks off with a lovely flute melody that sets in motion the laid-back North West Brazilian rhythms. A marvelous record that effortlessly highlights Northern Brazilians music and the pulse of the community. If you dig the sounds of Marcos Valle and Joao Donato then you’ll certainly enjoy this one.

https://razor-n-tape.bandcamp.com/album/palago

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Kaidi Tatham – Don’t Rush The Process [First Word Records]

September 14, 2022

“Don’t Rush The Process” is the fourth full length release by multi-instrumentalist Kaidi Tatham. Over the course of his career Tathum has become a prolific keyboardist. He has brought warmth and has made it an expressive part of his compositions. It’s no wonder that he’s become a go to guy for countless remixes. His list of collabs and remixes range from Marcus Valle to Allysha Joy among others. On the title track he’s accompanied by the Easy Access Orchestra. They add a soft symphonic element that compliments the jazz funk instrumental groove certain to keep your head on a swivel. “Sooretama” is a breezy Brazilian composition that features sweeping virtuoso rhodes playing from pianist Robert Mitchell. Tatham has long been a fixture in the broken beat community but he has challenged himself with a myriad of rhythms and harmonies on this release. The result is a refreshing disc filled with good vibes and tasty grooves you’ll find deeply satisfying.

https://kaiditatham.bandcamp.com/album/dont-rush-the-process

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Divorce From New York – Sausalito [High Praise Edits]

September 1, 2022

Producer Alvaro Granda aka Divorce From New York returns with his sophomore LP “Sausalito”. You may be familiar with Granda as one half of San Sebastian based production duo Reykjavvik606. They’ve worked with the likes of Tenderlonious and Ishmael Ensemble among others. “Sausalito” is filled with rugged broken beat rhythms layered with mind bending chords and harmonies. The opening track “Sausalito” kicks off with euphoric chords before easing into a sparse, edgy hypnotic rhythm. “Paralelo66” erupts with heavy bruk rhythms and wobbly synths. “Last Day of Sunset” oozes with infectious Summertime energy and good vibes. The pulsating Disco rhythms make this a worthy highlight. “Mapacho River” is a sonic journey aligned with a rough edged drum kick and jungle rhythms. Short and sweet with only seven tracks, Granda delivers a banger with each track packing a big punch. Granda is someone to keep an eye on. With beats like these I can’t wait to hear what he does next.

https://divorcefromnewyork.bandcamp.com/album/sausalito

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John Beltran presents Sol Set – Ola de Novo [All Good Music Label]

August 29, 2022

“Ola de Novo” by Sol Set evokes images from Sao Paolo. It’s one of the latest projects from Detroit native DJ/Producer John Beltran. Beltran emerged in the late nineties Detroit techno and house scene and later would release recordings on Ubiquity records. With “Ola de Novo” Beltran reunites with Guitarist/producer John Arnold and songwriter Jeremy Ellis among others. “Aztec” originally written by Beltran twenty years ago kicks the disc off. A percolating samba tune with a gorgeous piano melody. Beltran revisits this track and in turn becomes the springboard for the entire album. “Sugarloaf” simmers with infectious percussion. “Rhythm Of The Sun” is a sun drenched Samba tune oozing with hypnotic percussion and emotive vocals from New York based artist Sofa Knezevic. Sol Set is the first release from Beltran’s label All Good Music. It’s a nine track delight with grooves to dance to or simply vibe out to. This is essential listening and a welcome return by Beltran.

https://solset.bandcamp.com/album/ola-de-novo

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The Cookers Quintet – The Path [Do Right Music]

August 18, 2022

“The Path” is the fourth full length release from Canadian based quintet The Cookers. The eight track lp draws inspiration from the 60s hard bop period. Right out the gate they swing hard and take no prisoners. “Undisputed” is filled with energetic flourishes from Trumpeter Tim Hamel. Pianist Bernie Senensky has worked with a number of legends from Art Blakey to Pharoah Sanders. On “Summit” Senensky displays melodic and harmonic imagination and takes the listener on a glorious ride. Drummer Joe Poole makes the cymbals dance while unleashing a delightful solo “The Path” has a soulful groove that sinks into your body and invokes instant toe tapping. The quintet delivers an album that would make the ancestors proud while hard bop fans will enjoy as well.

https://thecookersquintet.bandcamp.com/album/the-path

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Daniel Villarreal – Panama 77 [International Anthem]

August 12, 2022

“Panama 77” is the debut of Panamanian born and Chicago based drummer Daniel Villarreal. The twelve track disc is layered with psychedelic Latin rhythms aligned with jazz fusion and folkloric sensibilities. Villarreal has been a fixture in the Chicago music scene, recently as a member of the group Dos Santos. The disc kicks off with “Bella Vista” where Villarreal demonstrates a keen sense of polyrhythms. Villarreal’s spirited percussion creates an enchanting groove for Elliot Bergman’s howling baritone. “In/On features labelmate guitarist Jeff Parker. Villarreal’s hypnotic percussion simmers over a samba beat alongside organist Dave Vettraino. With Parker’s glorious electric guitar rhythms layered on top you have an irresistible groove worthy of repeated listens. “Parque En Seis” opens with Villareal on congas and cow bells, paving the way for Bardo Martinez’s bass guitar grooves and synths. Chicago based International Anthem is known for their roster of genre bending jazz artists. Villarreal’s debut is left of center brilliance that stacks up well with their catalog.

https://intlanthem.bandcamp.com/album/panam-77

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VA – Luke Una Presents E Soul Cultura [Mr Bongo Records]

Brighton based independent label Mr Bongo records has been an essential home for global tunes and compilations from South London to West Africa and beyond for over thirty years. “Luke Una Presents E Soul Cultura” is one of their latest to hit the shelves. DJ Luke Una, ogirinally from Sheffield moved to Manchester and has become a sought after DJ whose musical taste covers a myriad of styles. The fifteen track compilation showcases Una’s musical palette with hard to find treats as well as familiar crowd pleasers. “Space Queen” from King Erisson is an Afro Carribean mid-tempo gem from the consumate percussionist. “Robot Man” displays a funkier side to the Legendary reedist Yusef Lateef. “La Cyclope” is intoxicating jazz fusion from Swiss drummer Daniel Humair, bassist Henri Texier and Saxophonist Francois Jeanneau. Jeanneau unleashes a flurry of glorious melodies on soprano while Humair and Texier create an infectious groove on this incredibly hard to find heater. There’s plenty here that will draw a smile and inject instant toe tapping due to the familiarity. The others you may not recognize but you’ll enjoy them nonetheless.

https://mrbongo.bandcamp.com/album/luke-una-presents-soul-cultura

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Brandon Coleman – Interstellar Black Space [Brainfeeder]

“Interstellar Black Space”, the sophomore lp from Brandon Coleman picks up where “Resistance” left off. Which means there’s an array of engaging synth funk tunes and jazz infused compositions. “On The One” is a slice of Minneapolis funk aligned with wicked synths and a thumpin’ bass groove. Coleman is joined by close friend and label-mate Kamasi Washington on “We Change Part 1”. Coleman’s use of the vocoder soars over the dreamy spacey funk groove. “We Change Part 2” leans toward straight ahead jazz and features trumpeter Keyon Harrold, Bassist Ben Williams and drummer Marcus Gilmore. “Runnin” is also a highlight. It’s an infectious flurry of spacey melodies where Coleman flexes his chops on electric and acoustic piano. Coleman’s use of the vocoder on a number of ballads would make Herbie Hancock blush. It’s evident that’s one of his influences along with George Duke and other masters of the funk. Make no mistake, Coleman is forming his own sound. He displays a gentle touch on the keys and a vivid astral imagination that will perk your ears up. There’s no sophomore slump here, just an enjoyable record.

https://brandon-coleman.bandcamp.com/album/interstellar-black-space

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Jasmine Myra – Horizons [Gondwana Records]

When it comes to Gondwana records you can expect supreme spiritual jazz recordings. Leeds based Saxophonist Jasmine Myra is the latest artist to emerge on the label with a sublime recording worthy of your attention. Myra’s debut “Horizons” was written during the lockdown and unintentionally became a therapeutic composition to pull her through trying times. The eight track disc moves along with a simmering down-tempo pace. For starters the title track finds Myra’s horn aligned with warm hypnotic strings. “Morningside” is another blissful tune where Myra generates sweet melodies on the soprano as well as engaging harmonies on the piano. Produced by Matthew Halsall who serves as a guiding light throughout the recording. Myra demonstrates that she’s an adept reedist and a capable pianist as well. Her tender compositions provide a glimpse of a promising future.

https://jasminemyra.bandcamp.com/album/horizons

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Brian Jackson – This Is Brian Jackson [BBE Music]

“This Is Brian Jackson” the debut from the legendary Brian Jackson. Jackson was one half of the ground breaking Gil Scott Heron/Brian Jackson duo that delivered a steady stream of acclaimed recordings throughout the seventies. Their catalog not only stands the test of time but Jackson proves he still has much to offer. “All Talk” would feel right at home on any of the duo’s classic recordings. Jackson’s signature flute along with his gorgeous chords align with the jazz funk groove that propels the disc. Jackson shifts gears completely with “Nomad”, a cinematic gem where Jackson’s vocals glide over a warm piano melody. “Little Orphan Boy” is another funky number that will find a home with premier DJs worldwide. While Heron was front and center back in the day. Jackson demonstrates that he was the motor that made the band run. A welcome return for the legendary musician. Let’s hope he doesn’t wait another twenty years to drop another quality recording.

https://thebrianjackson.bandcamp.com/album/this-is-brian-jackson

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